In order not to let Nagato's efforts go to waste, Cherryko introduced the song he provided to Shinichi Iwahashi.

In order to help Nagato Daiyuki realize his wish to make BEING's song animated theme song by manga, Shinichi Iwahashi decided to let go of the difference and seek cooperation with Nagato's BEING.

They are all good people...

Then who is the evil one?

When Nagato Daiyuki received a call from Cherry Koba, she told herself, "That Iwahashi Sang is easy to talk to. After knowing Nagato Sang's wish, he was willing to meet Nagato Sang and talk about cooperation." He couldn't help but ask this question in his heart.

First, he signed Seiichiro Ririhara first, and then obtained the production rights of the theme song with the advantages of his brother's company.

Nagato Daiyuki thought that the matter was over, and was thinking about how to patch it and re-create the expected plan.

As a result, Iwaki is now a good person at Cherry, saying that he is willing to cooperate with BEING?

Such a favor...!!

When I learned that Shinichi Iwahashi had won the production rights of the animation theme song of "Cherry Maruko", Nagato Yuki knew that although he had no choice, he understood that this was not the cooked duck flying, but the plan was gone.

If someone else takes away the production rights, he won’t even feel any extra disgust. It’s because the other party is the young producer named Iwaki, so he feels unhappy.

It seemed as if the guy named Iwaki would disrupt him whenever he planned to do something.

And now, the producer who made Nagato Daiyuki want to stay away and no longer wanted to be related to this name has taken the initiative to propose that he would help him realize his wish and cooperate with BEING.

When Nagato Daiyuki heard this proposal, he couldn't laugh and had no reason to be angry. He just felt that he was not happy, as if something was stuck in his chest, unable to come up or down, and unable to vomit and swallow.

"What do you think? Nagato Sang."

On the other end of the phone, Cherryko, who knew nothing about Nagato Daiyuki's idea, was still seriously persuading, "To be honest, I like the songs brought by Nagato Sang very much. It was my first time trying to compose... Iwahashi Sanken thought so, and I was actually very happy."

During the contact between Nagato Daiyuki and Cherryko, he left a good impression on the young cartoonist. Therefore, Cherryko became more and more sincere. If he wanted to help Nagato, he must reward his efforts.

“…”

Nagato's great luck faces Cherry's earnestness and hardship.

You can't tell her that I don't want to be related to the person named Iwaki, right?

In this way, the image he had previously had collapsed completely, leaving only a hypocritical appearance. He put some effort into being able to recommend himself, but this effort in turn pushed him to such a dilemma.

Is this considered shooting yourself in the foot?

"Then, let's meet with that Iwahashi Sang and listen to his thoughts." Nagato Yuyuki pinched his nose and took the good man to the end-

You can't be good at all, he is the only one who is the evil one?

"I didn't expect that Iwahashi Sang was so polite and easy to talk. It was amazing." He tried hard to swallow the surging discomfort, and praised Iwahashi Shinichi with Cherry Kou against his conscience.

You must be able to bend and stretch.

The two of them then made a decision on the phone, and then Cherry Koko went to contact Shinichi Iwahashi. Put down the phone, Nagato Daiyuki sat at his desk and lit a cigarette with a calm face.

...

Shinichi Iwahashi intends to contact Nagato Oyuki of BEING to discuss the "cracking" incident.

Let’s not consider whether Nagato Daiyuki will refuse. At the moment, if we cooperate with BEING, there will be only two models.

First, BEING sells the song to GENZO, and Shinichi Iwahashi is fully responsible.

As for the second, when GENZO obtains the production rights, Shinichi Iwahashi subcontracts the production rights of the theme song once and transfers them to Nagato's Oyuki's BEING for production, and he is responsible for the distribution.

Nagato Daiyuki's BEING is a production company with production capabilities but not the ability to publish. In other words, even if he wins the production rights of the theme song, he will still have to be supported by the record company. At that time, he will either be affiliated with a record company with a cooperative relationship or the animation production committee will introduce the record company to help publish.

As for these two cooperation models, Nagato Daiyu sold the song and everything went well after that. He just waited for the song to be released and the animation was broadcast, and his production company collected copyright royalties for the song. This was obviously the most convenient way to do it.

If the production rights are subcontracted, Shinichi Iwahashi provides singers and distribution, and BEING is responsible for the songs and production. In addition to copyright and royalties, there will be production sharing, which will contribute more and make greater profits—

The premise is that the song can be sold well. Otherwise, after the release of a single, a family's theme song will not exceed 50,000 copies. No matter how hard it is, it will not be able to make a fortune in one song.

Just like Nagato Daiyuki prepared the song and sent it to Cherry when he was not sure of getting the production rights, Shinichi Iwahashi now has to assume that he can get the right to use the song before he has confirmed his cooperation with BEING, and then think about the corresponding countermeasures.

Shinichi Iwahashi, among the singers who are now and about to debut, there is no one suitable for singing this song. After taking over the production, a singer who will be responsible for singing will be selected.

The candidate for this singer seems easy to choose, but it is also a bit tricky.

It is easy to say because you can be completely careless, and there is even the easiest choice - let the voice actor who dubbed the protagonist "Cherry" sing.

It is difficult to say because Shinichi Iwahashi felt that he should not have done this matter as a task so hasty.

After meeting Cherry Koko that day, Shinichi Iwahashi went to the recording studio and wrote down the "cracking and crackling" piece.

To be fair, although it is a song created as a theme song for animation in daily life, and Cherry is filled in with lyrics like children's songs, this song is undoubtedly not a musical song.

It is catchy and easy to remember, and it is absolutely appropriate to sing this song during a karaoke party.

Some songs, as long as you listen to them, you will know whether they are pleasing or not.

If you really want to do it casually, you can do it like handing in your homework, and it will be useless. He asked Sato to help introduce it, and asked Cherry Koi as the intermediary to do all kinds of work.

Next, before meeting Nagato Daiyuki, Shinichi Iwahashi was considering these things. He had to find a way to get this song at the lowest cost - without the guarantee that it would sell well, no one dared to invest too much in children's songs.

Although the commissioned animation production committee or Fuji TV station will not expect any hope for the sales of a family's theme songs for animations in daily life. As long as it does not let the audience get out of the play, it is appropriate, but Shinichi Iwahashi still needs to consider where to find a singer, how to use the method to produce and launch the song, and how to maximize its benefits.

Even if it is a nursery rhyme... but the power of the animation "Cherry Maruko" is beyond imagination after all.

Or think about it the other way around, although it is a song prepared for the cartoon and the lyrics filled in by Cherry Choi himself are very simple, it does not mean that this is a nursery rhyme.

Thinking about it further, "Cherry Maruko" has a wide audience. The reason why it has such popularity is not because it has received widespread support from children. It is because adults can smile when they see this comic.

Adults grow up slowly from children, and the songs given to children are songs given to adults.

Just like the comics drawn by Cherry Zi, although they are daily life for elementary school students, they are actually painted for adults who have grown up from elementary school students.

So, when I got this song, I should use it as a pop song, not a nursery rhyme.

While letting it play as an animation theme song on TV, you may not be able to use other promotional methods and use it as an ordinary pop song.

The animation has just started broadcasting, and the TV station will not reject topics. At that time, you can use the light of the animation theme song to find a way to discuss cooperation with Fuji TV and the editorial department of "RIBON".

The more Shinichi Iwahashi thinks, the more he feels that he can play a role in the theme song of "Cherry Maruko", no matter whether the last release is "cracking and crackling".

Even if he couldn't reach an agreement with Nagato Daiyuki on the use of the song, he could only get the song from his own music library, and he had to prepare songs that were suitable for both young and old, instead of "children's songs", and then he made a big splash with the popularity of comics and animations.

I haven't seen Nagato's good luck yet, and I'm not sure if I can get the song, but Shinichi Iwahashi already has some direction for production.

...

BEING only has the production rights but no distribution rights, which is the biggest reason why Nagato Daiyu is unwilling to cooperate with GENZO.

Nagato Daiyuki hates Shinichi Iwahashi who repeatedly defeated him and is unwilling to have something to do with him. However, if he wants to cooperate with his record company, BEING will either sell the right to use the song to GENZO, as if he has completed an ordinary offering to other singers.

But if that happens, except for the usage fee of the song at that time and the subsequent royalty sharing, the others have nothing to do with BEING.

A mere usage fee, and that little bit of poor royalty share-

Nagato Daiyuki conceived a singing mode for this song and was ambitious. He thought in his heart that if he left his idea, this great opportunity would definitely be wasted by the guy named Iwahashi.

If Shinichi Iwahashi used it as an ordinary nursery rhyme and made it into the theme song, at least tens of thousands of copies were sold. The little bit of the sharing was not only shabby, but also wasted the opportunity that Nagato Daiyuki had carefully considered it.

However, if you have to take over the production rights from the rock bridge, and you are solely responsible for the responsibility, and then GENZO is responsible for issuing it, it means that the rock bridge does nothing and just wait for the final reward.

Such a cheap thing!

Most importantly, although Shinichi Iwahashi is a small company, although he is a little famous in the industry, he is not a big figure with a deep family. If he sells favors to him, BEING will not get any benefits other than money.

But, it was such an annoying and useless guy to the company... But what Nagato Daiyu wanted most was in his hand.

I obviously hate that guy, but I end up being pushed into a dilemma.

If you refuse to work with him, the image you previously built in Cherry Konoha will collapse and you will always lose the opportunity to use the animation "Cherry Maruko" to implement your own plan.

However, if you want to cooperate with him and hand over the production rights, you can only watch Shinichi Iwahashi make trouble. If you don’t hand over the production rights, you have to let Shinichi Iwahashi reap the benefits of the fisherman.

The Kansai businessman, who was lucky enough to get up early without profit, is very lucky. At this moment, he feels like he is sold and he has to help count money.

How could such a thing happen?

Perhaps it is an idea to deliberately put forward harsh conditions and talk to Shinji Iwahashi to break down the issue.

However, although Nagato Daiyuki likes to hold grudges and hates Shinichi Iwahashi so much, he is still a businessman in his bones. He hates it, but he will not be able to get along with the interests.

The current situation is clear. If the conversation with Shinichi Iwahashi collapses, the previous statement that "I want the animation to use the theme song I made by myself" will become a joke, and Nagato Daiyu must find another way to implement his plan.

Sending the song out for Shinichi Iwahashi, in Nagato's opinion, ruined the song.

In the end, the only way to take advantage of Shinichi Iwahashi's opportunity to get it, work with him, and make that plan, is the choice to maximize the benefits of this song.

Previously, Nagato Daiyuki thought the theme song had ended here, so he hoped that he would no longer have anything to do with Shinichi Iwahashi. But now, since Shinichi Iwahashi took the initiative to come over, instead of refusing, he might as well think about how to use this young producer to gain more benefits in this matter.

Just treat it as the first head-on confrontation with that annoying guy.

Nagato Daiyuki made up his mind and waited to see the "Iwaki" who disrupted his troubles over and over again, and see who he was.

...

He is a young man standing there like a brand new pen.

Nagato Daiyuki looked at Shinichi Iwahashi and had such an idea in his mind. He knew that he was a young producer and had also investigated his production history, but he had never seen his true face. He never expected that he had such an image.

"First meeting, Nagato Sang."

Shinichi Iwahashi is a junior. When he met, he took the initiative to hand over his business card, "I surnamed Iwahashi."

Nagano Otsuki is short and has a gentle face that seems to be easy to win the trust of others.

Shinichi Iwahashi went to investigate BEING for that song, and also learned about Nagato Daiyuki's resume. He had a rough understanding of the industry career of the producer in front of him, singers he had handled.

"Hello."

Nagato Daiyu took the business card and handed it to himself. He showed a senior smile, "Iwahashi Sang is young and promising."

Shinichi Iwahashi was polite and modest for his praise.

They are all struggling in the industry, and as long as they are interested, they can find out relevant information. Although the two of them have met for the first time, they have already understood each other in advance and know it in their minds.

However, Shinichi Iwahashi and Daiyuki Nagato have no personal feelings.

But Nagato Daiyuki's mood became even more subtle when facing this young producer.
Chapter completed!