To promote the TV series, we naturally hope that the higher the ratings and topicality of the TV series, the better.

However, the attention brought by the ratings and topic can be distributed to the theme song and even the number of bands singing the theme song is the real focus.

After the first episode ended, some of the various calls asked about the TV station were asked about the theme song. The number was not very large, but some were praised for the good songs, some were praised for the refreshing voice of the singer, and some were praised for the good lyrics of the lyrics.

In short, the feedback received about the theme song was all positive, and there was not even a single review.

This is expected.

It is not because the quality of this song is so high that no matter men, women, young and old, it is because the theme song is just an embellishment of the TV series in the eyes of most viewers.

For viewers who don’t like it, even if they don’t think it’s good, they will just ignore it and will not call the TV station to say “This theme song is really ugly”.

On the contrary, audiences who think the theme song are good will have a surprise like "I accidentally discovered that the little flower on the roadside is very beautiful" because of their likes this song. They are inspired by this surprise, pick up the phone and say to the TV station, "This theme song is good."

In the end, the people who will really take action are the ones who have "absolutely praised and praised".

Therefore, for Shinichi Iwahashi, the focus is not on the content of the audience's evaluation, but on the number of phone calls. By the number of audience calls, you can roughly infer how much publicity effect will be brought about after each episode of the TV series is broadcast.

Based on the number of calls received after the first episode was broadcast, the publicity effect is not obvious.

However, just after the first episode was broadcast, Shinichi Iwahashi was not anxious at all. The TV series was broadcast every episode, and it was broadcast for ten weeks. The publicity cycle was actually very long, not an immediate process.

In addition, he also considered it.

In this era, the theme songs of TV series are not particularly valued, and there are few cases of deliberately creating theme songs for TV series.

But when Zard's song "㾣すぐに..." (Always forward), when Kuchi Yukiko was writing the lyrics, she knew that this song would be used as the theme song of the TV series, and she also specifically referred to the plot of the TV series and modified it.

Therefore, the lyrics of this song are quite meaningful to be tailor-made for the TV series.

However, the TV series that only the first episode was broadcast and the plot had not yet been unfolded, and the audience still found it difficult to perceive this intention. It is necessary to wait until the TV series continues to be broadcast and the plot is fully unfolded, so that the mystery in the lyrics of this song can be fully realized.

Because of this, Shinichi Iwahashi's heart, through the promotion of the Yuejiu TV series, it has just begun, and the good show is still coming.

If the feedback after the first episode is regarded as the "start", then the beginning will not only not make him feel anxious, but will instead feel "reassuring".

At least, everything is under control.

...

The fat young man is working tonight. Before getting off work, Shinichi Iwahashi calls Michichi Iijima inside and asks her to prepare the car first - if there is a part-time driver, it is useless.

Anyway, it is definitely a matter of going to Jiuhao's house to have a few drinks.

After work, Shinichi Iwahashi got into the car, Mitochi Iijima started the car and sent him over.

After Iijima Mito graduated from university for a while, he worked as an ordinary office worker for a while. Later, he joined Sakai Masatori's personal firm and worked as an office employee for Sakai Masatori for three or four years. His work ability was recognized and praised by this famous producer.

However, the flowering period of the urban pink collar tribe is not long. She is almost thirty years old, she is not married, and is still an office employee. She is a very alternative existence.

However, anybody can replace the job like this, and the younger ones are always better than the older ones.

Thirty years old is a watershed. Since I plan to continue working in the art world, Mitochi Iijima is not satisfied with being an office employee and is waiting for an opportunity to see when.

When Sakai Masato showed his idea of ​​introducing her to a record company in the art world, although the record company introduced was genzo, a newly established new company, Iijima Mitochi decided to seize this opportunity.

It takes great courage to switch from a personal firm of a famous producer in the industry to a new record company with unknown futures. However, when Iijima Mitota learned that he was going to be introduced to genzo, he was not shaken at all.

The reason why he is so sure is because of his understanding of Sakai Masato. He is very proud of his face and will never introduce his old employees to a place with no future.

When he first joined a record company, Mitochi Iijima was arranged to work as a clerk. The work he did was changed without changing the medicine, which was similar to when he was at Sakai Masatori.

The only difference is that on the day she joined the job, she was called by her boss to be a part-time driver.

Iijima Mitok knew what it means to be a driver for the president.

Although she believed in Masato Sakai, she secretly collected information about the record company before Mito Iijima joined the company. In the past few years she worked at Masato Sakai, she also knew several artists in the art world.

After joining the company, he also established good relations with the company's employees and inquire about the company indirectly.

Nothing on the surface is a secret. Watanabe's son-in-law personally sent her to the record company. Behind this company, Watanabe's old-fashioned power, the industry's old-fashioned power, is the biggest shareholder. Miss Watanabe's production.

The core figure of the company is the president who is several years younger than her.

Shinyisang Iwaki Bridge.

Mito Iijima quietly glanced at the rearview mirror and looked at the overly young "President Sang" in the back row.

But although Shinichi Iwahashi was young, she would not despise him at all. If he was a rich man from a very good family, he would naturally not be offended. If he had an average background, he would be more worthy of being cautious.

After all, at a young age, he can be the president and is still a good player in making idols. People with such talents are definitely not ordinary people.

Mitochi Iijima didn't know the temper and thoughts of the young president, nor did he know how he planned to arrange himself in the future, so he sought stability and was honestly her emotional driver.

But in private, she also observed and figured out the young president, just as Shinichi Iwahashi asked her to be a part-time driver, to observe her.

Tonight, Iwahashi San is going to the home of producer Akimoto Yasuhiro.

Mito Iijima drove his car into the apartment's passenger parking lot. Iwahashi Shin got out of the car and went to visit the pangpang youth.

...

At the home of the fat young man, on the long dining table, the large plates of the buffet were filled with richness.

A big meal was organized by Mamiko Takai. She broke her idol and married her former producer quickly. She naturally didn't have to think about her comeback. Because of this, she just focused on her family.

After getting married, while being a housewife grabbed her husband's stomach, she learned to draw and expand her interests. She occasionally went out for a walk with friends she met in the Kitten Club.

Since it is not a marriage with a child, it is always easier and more comfortable for a family of three.

On the phone, Akimoto Yasuko boasted about the rapid growth of Takai's cooking skills. Just looking at the formation on the table, you can tell that what you said is true.

As for the taste, it must be good without having to taste it. After all, the fat young man is famous for being picky and has a deep attainment in eating.

Shinichi Iwahashi greeted Takai Mamiko who was greeting him, and then went to say hello to Akimoto Yasushi.

"Long time no see, Shin Yijun."

After a while, Akimoto Yasushi seemed to have gained weight again. He smiled and squinted his eyes, looking more slippery, and felt that he was not easy to deal with.

"Indeed, long time no see."

"Shen Yijun is probably very busy recently." It is about the national mourning period.

Akimoto Yasushi's tone sounded a little gloating. Perhaps his slick look made him look a little joking and there was a little bit of a bad meaning.

However, being able to speak to him in this tone shows that the two of them are already familiar enough.

Such a grand table, Shin-Iwahashi was invited by Shinichi.

Having a wife at home who manages family affairs and makes a big meal, Akimoto Yasushi has invited industry insiders whom he knows to come to the house for a party from time to time since she got married.

While Shinichi Iwahashi was talking to him, another guest came.

After a while, four or five guests invited arrived, all of whom were related to the TV station and music industry, two of which were seen by Shinichi Iwahashi before, and the rest were brutal.

Among the guests who visited tonight, there were no people in front of the table.

Among the two people Shinichi Iwahashi had met before, one was a junior who was Akimoto Yasushi when he was a broadcast writer, and the other, although he had met, he had only met one person.

He is a staff member of Mikko Skylark.

Previously, in order to promote the theme song of Yuejiu, Shinichi Iwahashi asked the fat young man to match him with Chihiro Kameyama, and once met this person in the club.

I vaguely remember that it was Akimoto Yasuhiro who took over the work of writing lyrics for Mikko Skylark's new song.

After half of the party, the visitors were divided into two or three circles, each talking about their own.

Among the guests, there was a producer named Nankawa from Toshiba Records who had long wanted to know Shinichi Iwahashi, and they happened to meet him and started chatting.

This kind of gathering is also a good opportunity to expand your social circle.

Shinichi Iwahashi had no contact with Toshiba Records, so he was more happy to know someone. He was both in the music industry and had no worries about no topics. After exchanging business cards, the producers of Nanchuan started to talk about music production.

After talking for a while, Akimoto Yasuhiro came here. The three of them chatted for a few words. The Nankawa producer was agile and guessed that Akimoto Yasuhiro was talking to Shinichi Iwahashi, so he found a reason to walk away.

"The staff of Mikko Skylark brought the record here," said Akimoto Yasushi.

Shinichi Iwahashi had long known in his mind, "Is it a new song written by Akimoto Sang for Mikami Sunrai?"

"That's right." Akimoto Yasushi nodded, showing off to Shinichi Iwahashi a little proudly, "It's a song called "Kawaのれのように" (the flow of flowing endlessly).

"There is a magnificent reputation for listening to music."

However, Shinichi Iwahashi didn't pay attention to the song, and he didn't know when Mikami released this single. To be honest, for the younger generation, song performance is a gradually outdated thing.

For him, an outsider, the beauty of singing is even more unappreciable.

After receiving a magnificent evaluation, Akimoto Yasumi showed a little proud smile, "After receiving the lyrics of Mikawa, Mikawa, called me specifically and praised this song."

The slick and fat young man seemed to be sincere when he talked about being appreciated by Mikū Skylark.

"After being recognized by a person like Mikawa Sky Sakura, my identity as a lyricist is finally justified."

The Kitten Club is already a passing cloud. Akimoto Yasushi will still be in the industry in the future and continue to be a lyricist and be able to write lyrics for big singers. This is not only an affirmation of his identity as a lyricist, but also proves to the outside world that he can write "serious things".

Such a song is of great significance to him.

Having said that, the reason why this fat young man is not regarded as a serious lyricist is not because the lyrics such as "Banana Tears" and "Sailor's Suitwear for High School Girls" are written too much.

While quietly complaining in his heart, Shin Iwahashi admired his ability to write lyrics for the queen of singing and his ability to drive a small train with the kitten club.

However, the fat young man said this specifically, not just to show off himself. Akimoto Yasushi told him, "When you leave later, it will be just as a gift and give you a few records."
To be continued...