Having said that."

There were only two of them in the car, and Miwa-chan couldn't stay idle, so he asked Shinichi Iwahashi, "We are playing in the Red and White Song Club as a Red Group, right?"

This was already known when the band was told to appear.

However, Shinichi Iwahashi was not annoyed and answered her patiently: "That's right."

As a result, Miwa-chan asked a question, "The rules of the Red and White Song Club are that female singers are divided into red groups, and male singers are divided into red groups. Our band has two men and one woman, but they are divided into red groups."

Speaking of this, she imagined in her heart the scene of Masato Nakamura and a giraffe mixed in the female singer team on the day of the Red and White Song Club, and she laughed first.

As the guardian, the little fox can guess what she is thinking by moving her tail.

Shinichi Iwahashi knew it very well, and did not expose that she was really a group of beautiful singers dressed up. He stole a giraffe without feelings and a smiling bear. He thought about the scene and found it very interesting.

"Because the band's lead singer is a girl."

It cannot be exposed. Since this is the case, we can only answer the questions carefully.

Because the absolute core of the band is Miwa-chan. During the performance, if he and Nakamura are delayed because of something, they can ask a player who plays to help him. However, if Miwa-chan has something to do, they have to hang the battle-free card.

When dividing groups in mixed combinations, it is not about counting the heads, but about who is the core character.

As a band, no matter how important the other members play, for the general public, their attention is still on Miwa-chan, who is the band's signature.

The signboard is girls, so it is natural to be assigned to the red group. On the other hand, the same is true. If the lead singer is Shinichi Iwahashi and Miwa-chan helps play the keyboard next to him, the band will be arranged to the white group.

"But what kind of song should I make?" Miwa-chan smiled and began to worry.

Shinichi Iwahashi comforted her, "Go back and listen to the stock song first. This time is different from the last time, and we have more songs to choose from."

Not only are there too many songs in stock, but Miwa-chan can also write lyrics for Brother Nakamura's songs more conveniently, so the range of choices has become wider.

"Not allowed to sing "So happy! So happy! So love!"," Miwa-chan was a little angry, "but none of these elements wanted to be distributed to him."

What is the "he" mean, you will understand it as soon as you hear it.

Only Shinichi Iwahashi was with her in the car, Miwa-chan spoke without any scruples. When Shinichi Iwahashi heard her words, Shinichi Iwahashi was only smiling.

No matter how much you smile, you must not forget the important things. "In short, set the theme of the new album first."

"What kind of album should I make?" asked Miwa-chan.

"It has a 'future sense' related to the 'future'." Shinichi Iwahashi felt a little clear.

Although the Zi Su Order asked the things suspected of celebrating and cursing to death to remove them one after another, the current situation was clear, and the locust was not far from being braided.

When this album was released, it was still "Showa", but it is likely to move from Showa to the New Year name.

Although it cannot be put on the table, this is an album born under the alternation of the old and new eras.

The sense of future mentioned by Shinichi Iwahashi does not mean that he wants to make major innovations in musicality, but that he will transform to play new and new music before he can become completely popular, but that the overall atmosphere of the album must have a broad sense of moving towards the future.

As night fell, traffic was rolling on the main road.

Miwa-chan looked at the lights in front of her and heard Shinichi Iwahashi say "future" but it was a bit nonsensical, and she thought of that song.

"My willfulness will only trouble you all the time."

"But the reason I did this is precisely because I wanted to keep going with you."

When Shinichi Iwahashi heard these two a cappellas, for some reason, he wanted to laugh. This was the first of the three "Future Predictions" that Miwa Chan once asked him to make.

In this song, a couple depicts a future vision picture of "I am holding your hand tightly next to you".

The reason why he found it funny was that he wanted to laugh at the "future sense" when he mentioned "future sense", and Miwa-chan thought of "future prediction map". This idea was somewhat simple and crude.

Miwa-chan sang a few lines, and suddenly changed the tune and lyrics. She sang happily as if she hadn't said hello and entered her own world again.

"No matter how many years have passed, I can keep this mood unchanged."

"Because I have been living with you, I have been drawing the picture of the future in my mind."

The more she sang, the more she felt good and satisfied. "Look, it slowly came true as I imagined."

This song is the second song "Future Prediction".

In the previous song, the couple who rode a motorcycle and touched their helmet five times and expressed "Auntie Washing the Railway" and the future picture I was next to you was realized.

In this song, they are still together. However, the two people who used to ride a motorcycle-to-helmet as a love signal now have cars, and the way they express their love has changed from touching the helmet five times to stepping on the brake light five times.

But, "although the way changes, love has not changed."

Miwa-chan will sing when she is in a good mood, and Shinichi Iwahashi knows this clearly. So she lets her go and after singing the second song, she sang the third song "Future Predictions".

After the third song was also sung, Miwa-chan stopped singing, turned her head and looked at Shinichi Iwahashi.

Shinichi Iwahashi noticed that she was looking at him. The signal light in front of him changed, and he slowly stepped on the brakes, then turned his head to her.

Miwa-chan smiled, "Is this a song related to the 'future'?"

Shinichi Iwahashi also smiled, "It's indeed related to the 'future'."... Whether it's the title or the content.

After hearing what he said, Miwa-chan seemed to have made a contribution and suggested to him: "Since it is related to the 'future', then can I put it in the album? Shin-I-kun."

Shinichi Iwahashi did not answer immediately, "I went to the recording studio and suggested to Masato Sang and listen to his opinions."

The two of them took a car and then privately decided what songs to put into the album. This is still inappropriate. Especially as a trio, no one can be excluded.

Miwa-chan didn't understand this, and Shinichi Iwahashi said it, so she stopped.

...

The car parked in the parking lot near the recording studio.

"Let's go." Shinichi Iwahashi called her.

Miwa-chan looked at him, thought about something, and reached out to him.

"Hmm?" Shinichi Iwahashi's eyes fell on the hand and looked at Miwa-chan again.

The little fox's tail seemed to be exposed a little from him. Iwahashi thought about it for a moment, stretched out his left hand, and grabbed her right hand that was stretching over.

Miwa-chan immediately smiled and grabbed his hand with a full sense of swaying.

"That's it, we can definitely come up with the right song." She grabbed Shinichi Iwahashi's hand, "just like when she went to the band Heaven."

Such words will make you feel a different feeling in Shinichi Iwahashi's ears.

Although he looked heartless, after hearing about this, Miwa-chan undoubtedly secretly asked for help from her "God of Inspiration".

Although her "God of Inspiration" did not give her what she wanted.

"Yes, because we are 'dreamsettrue', the wishes we make will succeed." Shinichi Iwahashi comforted her without hesitation.

"Let's go, go to the recording studio first," he said.

Shinichi Iwahashi did not pull back his hand that was caught by Miwa Chan, and Miwa Chan did not let go, but held it tightly.

The two of them were like elementary school students on a hiking outing, holding hands and walking towards the recording studio together. Miwa-chan pulled him, swaying around childishly, and humming strange-looking melodies that might have been a temporary whim.

Until he arrived at the recording studio, Miwa-chan stopped, looked at Shinichi Iwahashi with a smile, and then let go of his hand.

"Go and discuss the "Future Predictions" with Zhengrensang!" After Miwa-chan finished speaking, she rushed into the recording studio first.

Shinichi Iwahashi looked at her energetic back and had to follow her rhythm and be led around by her.

...

"Three poems "Future Prediction"?"

Nakamura Masato listened to the words of Sui Kasumi and recalled it. Shinichi Iwahashi knew it and worked with him to search for the scores and test strips of the three songs.

The three songs have not been produced and arranged, only the a cappella test sing. The two of them found what they were looking for, while Miwa-chan brought the recorder and stuffed the tape in.

After listening to all three cappella tapes, the three of them sat around the table and expressed their opinions.

"It's not impossible to include "Future Prediction Pictures"," said Masato Nakamura.

He knew that on the way he came, these two people must have communicated about this matter, so he did not give in and made a statement now.

"But you can't include three songs at a time," he said. "Just choose one song from it and include it."

Miwa-chan reminds them, "The three songs are compiled in order."

In order, the first "Future Prediction Picture" is just right.

However... Nakamura Masato was about to say something, Shinichi Iwahashi followed, "However, considering the album's broad sense of moving towards the future and the current era background, the first song is not suitable."

"I think so too." Masato Nakamura said.

Miwa-chan pouted and did not immediately respond. However, this was not a sign of losing her temper, but was waiting for these two teammates to explain in detail why the first song was not suitable.

"It's the album's audience."

Shinichi Iwahashi explained to her, "The first song "Future Prediction" depicts the events of the student days. According to the age of our listeners, the student days are undoubtedly the 'past' that has happened, so this future vision is somewhat unreal."

At present, the audience of their band is still concentrated among young office workers. The innocent love of touching the helmet in the song is not "Future Prediction Picture", but "Past Memories Picture".

"That's right." Miwa-chan agreed with this statement.

When she wrote these three songs "Future Prediction Picture", she was still a high school student. For her, the last two of the three songs were the real "Future Prediction", and the first one was rather from her imagination at that time.

If one doesn’t work, that’s two.
To be continued...