(4000 words chapter)

"So, are you going?" asked Manyumi Watanabe.

Shinichi Iwahashi replied: "Of course I'm going."

Anyway, I have already experienced the mother and sister of Watanabe, and this brother-in-law is not bad. Iwahashi Shinichi is full of energy, and Watanabe Manyumi doesn't speak out, and secretly makes a prank.

He conveyed this invitation to Shinichi Iwahashi, and Marumi Watanabe ordered a restaurant and invited Masaki Yoshida to have a meal. Shinichi Iwahashi, who was addicted to Shinichi Iwahashi, took his mouth and stepped on his legs, rubbed her car first, and then rubbed her meal.

Yoshida Masaki is medium-sized, has a slightly dark skin, looks like an ordinary office worker, and looks older than his actual age. When he met, Watanabe Manyumi was the introducer, and Shinichi Iwahashi changed his business card with him.

The three of them met because of business and sat together, so they focused on work as the topic.

"Manyumi told me about Iwahashi Sang's plan." Yoshida Masaki treated people kindly, but it didn't make people feel hypocritical at all and was easy to get along with.

By looking at the natural expression of Manyumi Watanabe in front of her brother-in-law, you can understand a corner of Masaki Yoshida's character.

...

Yoshida Miki didn't know about the meeting between Manyumi Watanabe and Shinichi Iwahashi. I heard about Shinichi Iwahashi before. Masaki Yoshida had admired this person very much. Now when he met, the young man's words and behavior gave people a good impression.

Shinichi Iwahashi proposed to connect with the investors behind the animation production company. This idea is special enough. At the moment, it is still a bit "non-mainstream", but Masaki Yoshida did not think his ideas were whimsical.

This trust comes from his talent when he participated in the production of variety shows.

Looking back on his previous few moves, this person seems to be unreasonable, but in fact he pays attention to reality and is closely following the trend.

With such a preconceived impression, Yoshida Masaki heard Watanabe Manyumi talk about Shinichi Iwahashi's idea, and then followed Shinichi Iwahashi's plan and felt that the future he had envisioned seemed natural.

Of course, the envisioned future is something that has not yet come true. The real place to make this plan feasible comes from the proposal to invest in a higher-level company in an animation production company. Only by going around this circle can this idea be truly realized.

...

The three of them chatted for a while, Shinichi Iwahashi listened to the sound, guessing that the strange request conveyed by Wanyumi Watanabe was not Yoshida Masaki herself, so she couldn't help but look at her.

Receiving his gaze, Watanabe Manyumi, who had successfully played the role of a prank, seemed nothing, and there was no reaction that the person who had exposed the content should have. Or it should be said that this was not "exposed" but "the answer was revealed".

Anyway, the two of them couldn't argue with this in front of Masaki Yoshida, and Shinichi Iwahashi could only laugh.

However, Masaki Yoshida gave this subtle little interaction between the two people to the eyes.

Yoshida Masaki's curiosity about Shinichi Iwahashi comes from his appreciation of his talents, but also from his curiosity about the relationship between him and Watanabe Manyumi.

When I saw Shinichi Iwahashi today, Masaki Yoshida didn't feel that the relationship between the two was ambiguous, but he could sense the tacit understanding between the two.

These two people not only have a perfect career, but also show a tacit understanding when speaking.

When the band Tianguo, which Watanabe Manmi and Shinichi Iwahashi, was successful in cooperation, Masaki Yoshida once told his wife that it would be nice to be able to marry into the Watanabe family in the future.

Yoshida Miki felt that her husband was talking nonsense, but Yoshida Masaki didn't say it casually on a whim.

After the death of Shin Watanabe, as the only male in this woman's family, Masaki Yoshida also shouldered such an alternative responsibility and had to worry about his sister-in-law's lifelong affairs.

Since both my father-in-law and mother-in-law plan to let Watanabe Manyumi get married, he, as a brother-in-law, also takes this matter to heart.

If you are engaged in the art industry, if you hire a son-in-law, you will probably choose people from the industry.

Shinichi Iwahashi has outstanding abilities and a low background. He has outstanding cooperation with Watanabe Manyumi in these few times. He is also a staff member produced by Watanabe, and he knows the truth. In the eyes of Masaki Yoshida, he is a very suitable candidate for his sister-in-law.

Yoshida Miki felt that her husband's idea was boring and whimsical, and was angry that he connected his sister with Shinichi Iwahashi. But Masaki Yoshida never gave up on this idea. This time, Watanabe Manyumi wanted to work with Shinichi Iwahashi for a record company, and she had the opportunity to meet Shinichi Iwahashi.

Now that he met, he had a better impression of Shinichi Iwahashi and felt that the two were compatible. Yoshida Masaki had his own set in business, but his ideas on these things were very simple.

His attitude is not only because of Watanabe Manyumi, but also because of his appreciation for Shinichi Iwahashi.

...

"After Manyumi told me about Iwahashi Sang's idea, I also went to investigate and found a suitable investor." Yoshida Masaki was very efficient in doing business, and this time he came prepared.

"How is Taketa Printing Company?" Yoshida Masaki reported the name of a printing company.

Printing company?

Yoshida Masaki revealed the answer, Shinichi Iwahashi and Manyumi Watanabe subconsciously exchanged glances.

"Taba Printing is among the top ten large printing companies in China, and its printing business also includes comics, newspapers, magazines, and text. They are shareholders of Japanese animation companies and have a business support relationship with Toei animation. Not only that, they also have a good relationship with those bookstore publishers," Yoshida Masaki explained.

"Japan animation company?" Watanabe Manyumi reacted, "Is it the Japanese animation company that produced "World Famous Works Theater"?"

"That's right, it's that, "The Girl in the Alps" and "Seeking Mother Three Thousand Miles." Yoshida Masaki casually reported two cartoons produced by Japanese animation companies, which perfectly exposed her age.

These two world-famous theater series are both products of the 1970s. The animation director is no one else, but Miyazaki's good partner Takahata.

Between 1974 and 1979, Miyazaki Hayao and Takahata participated in the directing of several world-famous works Theater series at Japanese animation companies.

The name of Japanese animation company sounds majestic, but it was actually founded by independent staff members of Osamu Tezuka's Bug Production Animation Company when it went bankrupt.

Japanese animation companies became famous for producing world-renowned theater series. They adapted children's literature and folk stories from Europe into animation. The entire series has been going on since 1974 and has continued until now. Not only is it popular in its own country, but it is also sold overseas.

The two-dimensional world that blurs the characteristics of countries, races, and customs are fully reflected in this world-famous work theater series.

Animated works adapted from European children's literature produced by the Japanese team were exported to Europe and broadcast on European TV stations. Europeans who watched the animation did not even know that this was a Japanese work.

Another point is that the copyright fee for cartoons exporting to Europe is much higher than that for Asia, so Japan's animation company is committed to selling animations to Ome, and this Japanese animation company also relies on this series of theaters to earn both fame and fortune.

Not only that, from the cooperation in 1974 to the present, I have also accumulated considerable friendship with Fuji TV.

The relationship between an animation production company and a TV station, for example, is similar to the relationship between a production company and a record company.

The production company has produced records, but it does not have the ability to publish. If the record company does not serve as the publisher, there is no way to put the record store on the shelves of the record store.

Similarly, if an animation production company does not have a TV station to be a publisher, it will not be able to make the animation produced successfully broadcast.

In turn, record companies can help production companies release records, find production companies, and cooperate with them to produce records of a singer. TV stations can also find animation production companies and jointly produce them.

...

Japanese animation companies are not considered large companies in the animation industry. Yoshida Masaki will propose to find Takeda Printing Company. What they value most is their business support relationship with Toei Animation, as well as their special identity as a printing company and their relationship with publishing houses will be good.

Zhutian Printing Company is one of the top ten printing companies in Japan, and this name can scare away a considerable number of people.

However, Japan has absolute ACE among printing companies, which accounts for 26.3% of the domestic printing market, has a global output printing company, and has a long-established printing company with a 26% domestic market share.

These two giants have eaten up more than half of Japan's printing market share, and Zhutian Printing Company is not He Qizheng, which ranks behind Jiaduobao and Wanglaoji. There are several printing giants ahead of him. They are capable, but they are not yet at the point of being unable to reach the top.

Of course, this conclusion is not a high-level conclusion, but can only be done with the support of Watanabe Production. If Watanabe Production did not match the bridge behind, Iwahashi Shinichi himself would be unable to knock on their door.

...

It was a great time to have a meal.

After talking about the matter of meeting Yoshida Masaki, the following topics of the three of them became casual. However, Yoshida Masaki, who was a variety show producer, discussed the most with Shinichi Iwahashi's Shinichi about the production of variety shows.

"Although they are all irrelevant gossips, I don't know how many good shows are born in such gossips." When Yoshida Masaki talked about the production of variety shows, she was full of energy and she no longer looked like an ordinary office worker.

"Yes." Shin Iwahashi nodded.

Not to mention anything else, the first inspiration for the chubby young Akimoto Yasushi was having a great time now was when he was having fun with the drinking lady.

As for whether it is a good show, the ratings are pretty good anyway, and Fuji TV is preparing to continue the second episode.

"When I was a child, the producer of Fuji TV and my father were discussing the program ideas so casually in the living room at home." Watanabe Manyumi let the conversation between them evoke memories of her girls.

"The little ideas they usually say will appear on TV at any time."

Yoshida Masaki heard Watanabe Manyumi talk about this and showed her yearning, "So, this is the excellence of the TV producer."

The idea that came up with smoking a cigarette eventually turned into a program that is suitable for everyone in the world to entertain the public. This sense of accomplishment is fascinating and is also a "privilege" that can be enjoyed by the man in black behind the scenes.

...

After dinner, Masaki Yoshida and they said goodbye outside the restaurant. On the occasion of their farewell, Masaki Yoshida said: "The previous cooperation between Iwahashi Sang and Manyumi has received great responses, and this time it is also very exciting."

"I wish you two can succeed." Yoshida Masaki's tone was kind and kind.

Watanabe Manyumi and Iwahashi Shinichi thanked him. Yoshida Masaki said goodbye to them and got into the car.

When Yoshida Masaki was sent away, they were only the two of them.

Shinichi Iwahashi settled the score later and asked Manyumi Watanabe, "If I don't come here in person, Yoshida Sang won't help. Did you say this yourself?"

When he mentioned this matter again, Watanabe Manyumi smiled but refused to answer the question and asked, "What do you think? Takeda Printing Company."

She turned the topic apart, and Shinichi Iwahashi was unable to pursue it, but he was a little unwilling to let it go, so he answered like a joke: "It's heart-warming."

Watanabe Manyumi received this answer and laughed so hard, "Okay." After laughing, she told Shinichi Iwahashi: "Since that's the case, I'll go back to discuss with my mother."

When it comes to this part, Shinichi Iwahashi will not express his opinion, just listen.

The two got into the car together. When Wanyumi Watanabe saw that it was still early, she reported the driver to the address of the old house. It seemed that she planned to discuss with Misa Watanabe to ask for a charter.

The car started, and the driver who had no feelings drove his car silently.

We had a great conversation just now, but along the way, the two of them had nothing to say and remained silent all the way. Shinichi Iwahashi thought about the Takeda Printing Company proposed by Masaki Yoshida, and occasionally distracted. She looked at Manyumi Watanabe. She looked thoughtful and didn't know what she was thinking.

Shinichi Iwahashi was a little curious, but it was not convenient to ask.

As he almost reached the old Watanabe house, Watanabe Manyumi spoke and said, "Thank you today, Shinichi-kun."

Shinichi Iwahashi wanted to ask back, "Has I done something worthy of thanking?", but before saying that, he thought for a while, so he changed his words and replied, "Nothing."

After receiving such an answer, Watanabe Manyumi seemed to breathe a sigh of relief.

The car was parked outside Watanabe's old house, and Watanabe Manyumi got out of the car. Shinichi Iwahashi skillfully picked up her handbag and handed it over.

"Good night." Manyumi Watanabe told him, taking the handbag.

Shinichi Iwahashi also replied, "Good night."

Watanabe Manyumi entered the old house, and the driver who had no feelings started the car again. Shinichi Iwahashi looked at the time and felt that it was too early to go home. He did not ask the driver to send him home directly, but asked him to send him to Yoyogi's recording studio.

The car drove forward, and another car behind drove towards Watanabe's old house.

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