Cream cannon, hair dryer, and confetti foam particles to make the face. This idea is very prudent, let’s make such a pleasant decision!

...It's weird.

When it comes to the unconscionable level of Japanese variety shows, sometimes it has reached the point where people can refresh their imaginations. Now, it is even more exaggerated to play in the 1980s. Shinichi Iwahashi deeply feels that it takes extraordinary courage to debut in Japan as a funny artist.

But even so, even if there is no moral integrity in the industry, there are still rules that need to be followed.

All variety shows that artists participate in can sacrifice moral integrity to change the effect. No matter what you do, it doesn’t matter. Even if you risk your life in the literal sense, you can just play casually.

But like now, programs with ordinary people as the main characters and amateurs as the protagonists cannot do this.

This is first and foremost a very basic morality.

Whether an artist is popular or a newcomer or a big thing, he must have an awareness.

When you become an artist and decide to enter the industry, you must accept the self-sacrifice in the identity of an artist. Artists are originally a profession that uses their own nutrients to entertain the public.

From this point of view, in the art world, the status is very low as an artist.

However, amateurs who come to participate in the talent show are not real people in the circle, so the gameplay in the circle is not applicable to them. Even if you want to add a little entertainment, you should consider a gentle and harmless technique.

Furthermore, this is a music talent show after all. Appropriate laughs can be used as seasoned pepper seasonings, but the pepper cannot be turned into the main ingredient in the pot.

In that case, it is the real place before the horse.

In addition, some of the bands that come to participate will debut in the industry, and may even make such assumptions.

If you treat the band you come to participate in as a monkey, it is undoubtedly a disrespect. It will not only make a truly qualified band oppose this show, but also make the audience instinctively despise the bands performed in this show.

If you want to sell something in this show, then the selling should definitely not be a "hilarious point".

To find a balance in this, you need to work harder.

The program is built and the station is also writing. It is precisely because basically everything has been decided that Shinichi Iwahashi has thought slowly, just like decorating a house, adding some small details.

Among the staff sent by ae, there were those who had dealt with Shinichi Iwahashi before, and they knew a little about his behavior. On the contrary, the others in the production team felt very incredible about this guy who was very experienced but had to give advice every time he came.

Fortunately, he is not aimless. Although there will be debates and doubts, everyone will always work in the same direction.

To do this program, there are already more than 20 production teams that can sit in the conference room, not including the on-site staff, lighting, photography, venues, etc., which are not something that can be completed by just a few people alone.

The house is built with bricks, but the bricks piled there are not the houses.

...

The name of the program was eventually designated as "Miyaya Yuji's super band Heaven", and under the banner of Miyaya Yuji's naming program, he created momentum.

The term "Band Heaven" comes from the Land of the Walker Heaven in front of the Shrine Square. Now, because amateur bands gather in large numbers, the former Land of the Walker Heaven has become the Land of the Band Heaven in the mouth of the crowd.

Before and after planning this program, Shinichi Iwahashi often wandered around this area during weekends with Manyumi Watanabe. His recording studio was in Yoyogi, and he couldn't get there any distance. The two of them went to inspect almost every weekend. After discussing, even the name of the program was decided to be named "Band Heaven".

For amateur bands and band lovers in Tokyo, there are probably a very small number of people who don’t know about “Band Heaven”.

It's just for the sake of the popularity.

The newlyweds sent by ae are all teenagers, and the youngest is only fourteen years old. When he stood in front of Shinichi Iwahashi and greeted him crisply, Shinichi Iwahashi, who had been a man for two lifetimes, deeply felt that he was already an old man.

Although they came here to make a trial singing belt, none of these people were selected into the office as singers.

In this era, Dari Yangji's style of acting is not much the same as that of traditional Japanese art firms. He collectively calls his artists Atticus, rather than subdividing them with labels such as singers and actors like other firms. Therefore, even newcomers who do not aspire to sing must confirm their singing power.

However, since they are not professional singers, and there is almost no relevant learning experience except for school music extracurriculars, most of these newcomers are karaoke, and occasionally one or two are 'Promise of Love'.

Shinichi Iwahashi, who has an absolute sound, has made great progress in the recording studio. However, for him who has an absolute sound, it is really painful to listen to a test sing that is not on the tune.

That sound is no less than a nail scraping the blackboard, and the teeth are so sore that the soul is trembling.

The elder brother Masato Nakamura was gloating. Shinichi Iwahashi was holding back his teeth and laughing. He was holding back his weak friendship that was originally meant to grab food. With the arrival of these young boys and girls in the flower season, he was even more in danger.

Only Miwa-chan, who was held in their hands by the two of them, still looked carefree. When she was happy, she started humming songs and then recorded the melody she thought of on the tape.

Shinichi Iwahashi and Masato Nakamura are responsible for reviewing her recordings, on the one hand, to review whether these melodies have been born. If it is a melodrama that I accidentally listened to an ear on a certain month and a certain day of a certain year, month and now I remembered it, that would be bad.

On the other hand, it is necessary to review whether these melodies are reprocessed. If you think they are of no value, then you will pass it directly as a waste song.

Three people took root in the recording studio, making music for others and making music for themselves.

However, although most of them are not of good quality, there are also several who have good voice recognition. For example, the 14-year-old girl who greets her with a crisp and savor.

"The sound is surprisingly quite textured, Eri-chan." Shinichi Iwahashi said to her.

The fourteen-year-old girl is named Eri Fukazu. She has short hair and thick eyebrows. She has a little bit of youthful vitality. With her bare face, she has a few injustice on her face, which adds a bit of playful freckles. Her big eyes have a calm but not absent-minded look. She has just been fourteen years old and has a little adult taste.

When he first arrived at the recording studio, Miwa-chan saw her and secretly told Shinichi Iwahashi, "Although the child is young, he has a very adult taste."

"On the contrary, although you are already a real adult, you are sometimes like a child." Shinichi Iwahashi teased her.

Hearing him say this, Yoshida Mi and the crooked neck disease recurred, so they leaned in with him, "Only children will say this to others."

Shinichi Iwahashi hid back and said with a smile: "Birds of a feather flock together."

This is a model of getting crazy and even fighting yourself.

After being praised by him, Eri Fukazu bent her lips and smiled, "Thank you, Iwahashi Kan."

The smile fell on his face, and the youthful aura faded again. From this, he saw a beautiful girl.

Fukatsu Eri came from a scholarly family. His mother Fukatsu Yumiko was a famous calligrapher. Last year, she accidentally participated in a small-scale talent show and won a grand prize. As a result, she was chosen by Yoyoshi Ori and signed to the office.

From this point of view, Shinichi Iwahashi couldn't help but admire Dali Yoshi's picky vision in his heart.

The entire batch of trial sings were completed, and Fukatsu Eri was not the best one sang in it, but Shinichi Iwahashi recommended her first when he attached her thoughts.

ae may not necessarily have the idea of ​​making the singer Fukatsu Eri debut after receiving these test sings and thoughts. However, if newcomers who are good at performing themselves will have an extra path beyond actors.

Carrying activities as a singer is also a way to increase exposure.

...

When I was producing the Tokyo Music Industry Association's cover albums, Iwahashi Shinichi felt that when he was producing this trial show, he felt that he was short of manpower.

Almost all the production matters are taken care of by him and Masato Nakamura. Although he signed the abnoral, the signing was not a producer's appointment. Besides, the band's level is quite high. If nothing unexpected happens, Shinichi Iwahashi will definitely find a way to make them debut, or sign up for this band's Heavenly Kingdom program.

When making the trial sing belt, Shinichi Iwahashi made an assumption in his mind. If the trial sing belt is sent back to AE, Dari Yoji suggested that his production company produce the singer, how much could he do?

Then, he found that a problem was exposed: although the production company was not theoretically responsible for lyrics and music, the production company that wanted to grow must have its own full-time lyricists and arrangers.

If Ae does not provide lyrics and music but entrusted them with full authority, the production company had to find the right one in the stock songs of Yoshida Miwa and Masato Nakamura. However, only she can sing Yoshida Miwa's songs. Compared to style, it is better to say that it is her singing, and it is not difficult to sing. If you are short of breath, you may be suffocated to death.

There is still abnoral where you can buy music, but you can't tear the east wall to repair the west wall.

Being able to provide lyrics and music production is a very big advantage. You can’t wait for the opportunity to come and then cram when you come, but you must be prepared to meet the opportunity.

It’s just that there is some level of skill, and it’s hard to find a songwriter who is willing to join.

...

It was Saturday, at 8 o'clock in the evening, Haruko Akamatsu came to Yoyogi's recording studio.

She came from the company's office in Kawasaki. After the company was established, she occasionally worked part-time as an employee. As the black-hearted boss Shinichi Yawahashi said to Yukiko Okada, the salary was not high.

However, she didn't care. In other words, the musicians who gathered around Shinichi Iwahashi at this stage are all people whose ideals are greater than anything else.

When Haruko Akamatsu arrived, there was no one in the recording studio, only Shinichi Iwahashi and Masato Nakamura. The protagonist Mika Yoshida was not here tonight, and said he was going to attend a Hokkaido hometown association.

I don’t know if I should praise the humanity of Hokkaido people. Anyway, Shinichi Iwahashi hasn’t heard of any Shizuoka Countryside Association in the underground music circle. Maybe he can take the lead in holding one another day, although he is a fake Shizuoka person.

Recently, Masato Nakamura has begun to try to compose lyrics for Yoshida Mika.

In this regard, Shinichi Iwahashi and Masato Nakamura agree that although Yoshida Mikazu has geniuses, her songs are unrestrained and sometimes lack the necessary selling points. In order to push her to a higher level, appropriate adjustments should be made. It is not to ask her to change her style, but to produce songs with selling points while adapting to her style.

Yoshida Mika was thinking about how to sing, but Shinichi Iwahashi and Masato Nakamura were thinking about how to let more people hear the songs she sang.

Because she didn't know the score, Yoshida Mikazu would not write lyrics for other people's songs, but even so, after thinking about it, Shinichi Iwahashi thought that the song could be sung by others, but the lyrics must be written by her.

This comes from a long-term work by Mika Yoshida, and a thing he discovered and summarized when he listened to songs by singer-songwriters such as Miyuki Nakajima, Yumi Matsuriya, and Yomi Inoue.

That is, the lyrics of the creator contain the creator's own worldview.

The creator may write a hundred lyrics, and the things expressed in the lyrics are diverse, but if you read them carefully, whether it is to make words or sentences, or look at things, they have their own style.

Shinichi Iwahashi didn't want to destroy this unique Yoshida Mikata style, and believed that this distinctive and stable style was a winning weapon that left the audience behind after attracting them.

Iwahashi Shiichi's consideration was profound. Yoshida Mikazu's lyrics were very simple because the lyrics of Masato Nakamura were disgusted with Masato Nakamura were completely derived from the lyrics written by despising Masato Nakamura.

"Masato-san has no talent for writing lyrics at all." Yoshida Mika said.

In order to show fairness and justice, let us excerpt a masterpiece of Masato Nakamura: "The rhythm of oothreefour is consistent, kisskisskiss, kissed three times".

At this point, Masato Nakamura was completely defeated and honestly learned how to fill in the music score for Yoshida Mika's lyrics.

It is a difficult task for Mika Yoshida to write lyrics for other people's songs. After getting the lyrics, it is even more difficult for Masato Nakamura to match the songs. Poor, a studio musician who has been behind the scenes for many years, has written a lot of music. Now he has worked hard and may not be pleased.

Masato Nakamura made several new songs at one time, finished writing the song, and called Shinichi Iwahashi again, wanting to hear his opinion. At first, they were the only ones, and there was no need to worry about it. The two of them were smoking while discussing, which made the recording studio smoky.

As soon as Akamatsu Haruko came in, she was choked.

The two of them quickly sten out the cigarette and apologized to her: "Sorry, Chi Songsang."

"It's okay." Haruko Akamatsu replied, "Are you two busy?"

"Discuss the new song." Shinichi Iwahashi went to turn on the exhaust fan, "Is there anything Akamatsusan?"
Chapter completed!