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Chapter 68: Waiting for the result

The entrusted party entrusted an item to the auction house, and the auction house will position the item. This positioning is a commercial positioning based on professionalism. This positioning has a certain scientific basis. The Tang Dynasty was the heyday of the entire feudal society. The development of society will inevitably drive the development of culture and art. The Tang Dynasty was also a period of vigorous development of ancient Chinese culture and art. In other words, the development of culture and art in the Tang Dynasty played a role in connecting the past and the future in the entire history of ancient cultural and art development, and its influence on later generations lasted for thousands of years. The bronze Buddha statue is a concrete manifestation of this influence. Many standard Buddha statues were produced in the Tang Dynasty, while the Tang Dynasty's Buddha statue was in the development period of gilded bronze Buddha statues.

The auction house is not looking for these theoretical support for academic research, but as the basis for final pricing. Zhu Ji set the base price for this statue of gilded bronze Buddha in the Tang Dynasty to be 3 million. The auction house has its own mature business operation model. Because of Liu Yue's relationship, Tang Feng recognized Zhu Ji Auction House very much. After seeing the reserve price, he signed it happily.

After the two sides talked about some details, Tang Feng said goodbye and was about to leave. After all, Tang Feng was a big customer. Zhu Biwei, who couldn't leave the job, asked Liu Yue to send Tang Feng out, and Liu Yue nodded and agreed.

Tang Feng and Liu Yue walked out of the auction house together, and Tang Feng said to her: "Your company has a very good marketing strategy, which is neither off-professional nor caters to the market."

"This is not what people from our company do." Liu Yue said: "I collected and sorted out your lot information."

Tang Feng smiled and said, "I owe you more and more your favor. How can I repay you in the future?"

"Who wants you to pay it back?" Liu Yue said: "I don't know why, but I always feel that you are a person who will not be controlled by money. Only people like you will understand how to simply enjoy the happiness brought by success."

Tang Feng shook his head and said, "You overestimate me."

Speaking of success, Liu Yue's family was undoubtedly successful, but she did not feel happy because of this. She said: "My feeling is not wrong. The reason is very simple. You are already very rich now, but you do not look down on your former allies because of this."

The "formerly allies" in Liu Yue's speech refers to Chen Yan. In a sense, Lin Muyu was also Tang Feng's former ally. Tang Feng really did not want to give up their ideas. He said: "That is just a basic principle of being a human being, and it still cannot reach the height you mentioned."

In fact, Chen Yan and Lin Muyu's social status in the past was higher than Tang Feng. With Tang Feng's rapid development, their relationship was no longer equal; and, as time goes by, this aberration gap will become larger and larger. People at different levels pursue different goals. When Tang Feng reaches a higher level, the help Chen Yan and Lin Muyu can give him will become smaller and smaller, or even no. If it were other ambitious people, they would find another high branch to seek better development. But Tang Feng would not, this does not mean that he is so noble, because he is a child who grew up in the countryside, and his growth environment is far less complicated than that of cities, and he is not influenced by utilitarian ideas.

Liu Yue said: "In this world where material desires are flowing, moral standards are constantly declining, and what you maintain is basically a kind of nobility."

"I understand what you mean." Tang Feng laughed and said, "It's not that I'm noble, but that the world is falling."

Liu Yue said: "So, I sincerely hope you can succeed."

"I hope." Tang Feng looked at Liu Yue in a blink of an eye and asked, "Aren't you planning to go back to your company?"

"You just hate me so much." Liu Yue said: "I'm so impatient when I take a walk with me."

"How could it be?" Tang Feng said: "It should be my honor to be able to walk with you. I can't believe it is true."

"Haha." Liu Yue smiled slightly and said, "You're passing now."

"Not a little bit." Tang Feng reached out and made a "please" move, saying, "Let's go."

The setting sun in autumn turns the city into a warm golden yellow. The gentle feeling makes people ignore the heaviness and sorrow of fallen leaves. On the sidewalks of the city streets, two mottled backs are infinitely extended by the sunset. For Tang Feng, this autumn is no longer a lonely and sadness. He is not willing to think about some things, but he just feels that where the willow moon is there, a special feeling flows quietly in his heart.

Many things are too anxious. Tang Feng has done everything he can do. The only thing he can do now is to wait patiently for the final result. The next morning, Tang Feng fell asleep and woke up. It was already midnight when he walked out of the bedroom. Lin Muyu was still writing her script. Tang Feng asked her, "How is it?"

"Well, it's going well." Lin Muyu said proudly: "With a subject library like you, how can you not write well?"

After washing up, Tang Feng walked out of the bathroom. He said to Lin Muyu: "Then you can write slowly at home, and I'll go to the antique market to take a bag."

Lin Muyu nodded and said, "Go, I'll call you during lunch."

Tang Feng left his home and came to the nearest antique city in Beijing. This was his third time to come to this place. He was already familiar with it. He had a walk around the street stalls, and Tang Feng had no new discoveries. He decided to go to Taoyitao shops. Calligraphy, painting, jade and porcelain are the three hottest antique markets. Among them, the most popular market is porcelain, and its value has also hit new highs. Tang Feng followed the market trend and visited several ceramic stores in a row, but the results were not ideal. The counterfeit and shoddy products were real.

There are too many. The preciousness of many porcelains is beyond ordinary people's imagination. Take Ru kiln and Ge kiln porcelain as an example. According to records in previous lives and statistics in later generations, the number of Ge kiln porcelains in existence is about 300 pieces, while the number of Ru kiln porcelains in existence is even smaller, with only about 100 pieces. However, many antique shops are placed in a row of Ge kiln Ru kilns. Not to mention the authenticity, from the perspective of probability, this is impossible. If you put all the efforts of the entire country, you can't find a few. Can one antique shop be placed in a dozen?
Chapter completed!
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