In everyone's eyes, how can a person who has no coloring be called a painting?

At best it is a comic strip.

So when it was lunch time, everyone was instigating: "When you draw one, draw one, put some color on it, let's see it."

"As the complete presentation art, let's take a look at it at the same time."

"Look, Teacher Su has been waiting for him and has been sitting all morning."

Wan Changsheng really didn't take it seriously. He didn't understand Su Munan yet, so he was just a slander.

To say that Wan Changsheng has only one painting in the sky and the earth, it is simply a joke. The National Academy of Fine Arts, where Su Munan came from, is the perfect collection of Chinese paintings.

A collection of famous artists and talented people.

Several top tycoons including fine brushwork characters are all in the south.

At most, Wan Changsheng is among the younger generation, with some of his own characteristics, so he is better at drawing ancient methods.

And the honest girl Su Munan just wanted to have more achievements in the American Painting Department of Shu.

I haven't been together these two months, but I have had private communication with Wan Changsheng.

She has been trying her best to think about getting some hands in the teacher-student relationships of the National Academy of Fine Arts.

But this is so famous that I don’t want to come, and the level of willingness to come is not enough.

After all, Jiangzhou is much worse than Jiangsu and Zhejiang in any aspect, especially the humanities and arts level environment.

When you come here, you are likely to be exiled from your original circle, which is basically equivalent to exile.

It's difficult.

So the idea that Wan Changsheng gave her was to tap internal potential, try to cultivate more outstanding students, graduate students, and participate in various art exhibition awards.

But this girl was attracted by Wan Changsheng and coaxed him to take the lead in attending the art exhibition. How long has it been since Wan Changsheng been painting Chinese?

He gave one, which could lead the students to make a lot of them.

Now everyone is rushing to make money with Wan Changsheng!

Su Munan complained about Wan Changsheng several times in this regard, and Zhao Leilei also liked to tease him for this.

Perhaps these geniuses who don’t have to worry about food and clothing or whose family background is still good, they don’t have the mentality of coming from the countryside like Wan Changsheng.

We have to solve the problem of food and clothing first, and then talk about art.

In short, Su Munan is just a stubborn person. Now he has to chase Wan Changsheng and finish it quickly.

Looking at the girl who was anxious in the stands, Wan Changsheng had to drive the duck to put it on the shelves.

These singers and dancers quickly gestured to Su Munan over there, feeling so familiar.

Su Munan ran down quickly, but almost fell down and was pulled by a handsome dancer.

Ouch, Teacher Su looked at someone and was so stunning that she blushed.

It seems that she doesn't like someone who meets the business person on the flight, but she still thinks that she is not handsome enough.

But when she faced the painting tools, she was quick-witted. Various Chinese painting paints were taken out of her bag, and small plates emerged one after another, which made the onlookers laugh: "You should work with me on a show, you have talent!"

But when Wan Changsheng painted the painting, Su Munan's face was not frowned like a bun, but almost turned into an old pine bark, and her brows were frowned and she was very dissatisfied.

Because Wan Changsheng is so perfunctory!

Smudge coloring is a meticulous job, similar to drawing eye shadows and concealers for girls. Use a brush to dip some pigments and apply them appropriately with water. Then immediately use another brush full of water to dim the pigments.

This process is a lot of considerations, and it is also used in landscape paintings, and it is also one of the freehand artistic conceptions.

Experts can create thousands of atmospheres in the smudge.

However, in fine brushwork, the transition naturally starts from thick to light, the more uniform the better.

Just like the blush on a beautiful woman's face, the best one is the best.

Just think about how slow a girl is when she is putting on makeup

But Wan Changsheng is here so fast!

Two brushes are sandwiched between your fingers. They are common cross pens in Chinese painting. One pigment and one clean water are easy to convert.

Here he is directly crossed with herringbone, with much smaller spacing and much more frizzy!

One piece of pigment is added and the other piece is applied, which is extremely efficient!

In the eyes of an outsider, I still think it’s so awesome!

Even the makeup artist squeezed over and stretched his neck, marveling. If Director Wan came to put on makeup, he would definitely be a good move. His girlfriend would be happy.

Swish, there will be two or three characters in a while!

Moreover, Wan Changsheng was also blatantly lazy, using gambolic pigment, using some clothes for this character and pants for that character. Anyway, how far apart they are, try to change the paint after using it.

Instead of focusing on drawing a character with various colors, you must clean and adjust the color with every stroke of paint.

It is extremely efficient, but it is a bit like factory work, without emotion.

It is completely different from his refreshing experience when he was in the plain description.

So everything has its source.

Wan Changsheng mainly carves seals and stones, and his paintings are purely family-born craftsmanship to meet the various mural requirements of Guanyin Temple.

Do pilgrims look at the patterns or the tones?

From the beginning, when I came to Damei to take the art exam, Wan Changsheng was the mentality that black and white could paint all things in the world.

Later, I was even more insensitive to colors.

With his painting environment, he is often in a dimly lit temple hall, and lines are the most important. It is enough to express the charm and dynamics, just like the color.

This is how Wan Chang painted it twenty years before his lifetime.

It is very rare to ask him to correct and change.

The last spring sunset picture was rare, and even Lao Tong also advised him to be as elegant as possible, so as not to make the big and purple rural atmosphere strong.

Now it's purely letting yourself go.

There is a sense of performance. A bunch of laymen watched his pen head fly, and his two pens kept exchanging like flowers. On the whole scroll, they even painted here and rubbed there, which seemed to have a very comprehensive layout.

If everyone hadn't held their breath and dared not disturb them, they would have been applauded!

This is the style of a professional expert!

But Su Munan was so angry that she gritted her teeth a little, and couldn't help but sound came out of her teeth: "Wan! Grow! Grow! Grip! It's bare, and there are water stains on your smudge!"

"Wanchangsheng! Slow down! Slow down, I'll tell you to slow down!"

I'm about to reach out and hit someone!

Wan Changsheng’s painting is in this style, just say whether you are quick or not!

I have to draw a wall one day, and I think I have to go back to carve seals and stones, and I draw it as fast as a dog chasing me!

On one side, he agreed with a symbolic slowdown on his hand, but on the other side, he took advantage of Su Munan's inattention and grabbed the brush with four fingers wide. He looked up at the surroundings. Sure enough, an old man with folk music was holding his beloved big teacup and stretched his neck to watch the fun.

When Wan Changsheng reached out to ask for a teacup, he enthusiastically presented it to him: "Mingqian Longjing! It's absolutely authentic!"

Wan Changsheng was disappointed: "Ah? There is no Tuo tea, the strongest type..."

Those are the cheapest items, how can art people drink such vulgar tea stalks?

As a result, he had already taken the teacup and poured it into the next bowl and plate, dipped it with a board brush, and brushed it onto the screen!

Su Munan was frowning and looking at the coloring on the other side, but she didn't notice it. When she was screamed by the surroundings, Wan Changsheng had already brushed the painting for nearly half a meter!

His face turned red with anger: "You bastard! You are lazy! You are lazy!"

Didn’t you say that what Wan Changsheng wanted was silk, not rice paper.

This kind of silk-like painting material is finely woven and has a longer storage life than paper.

Therefore, many of the top Chinese paintings left in history were painted in silk.

Compared to paper that is prone to brittle powder, silk is much easier to preserve as long as it is not eaten by insects.

But it's easy to turn yellow.

Wan Changsheng is purely a trick of making fakes by hand.

The silk surface dyed with tea water yellow immediately made the scroll look antique, and at the same time... covered up the flaws of his paintings!

This really requires reflection on the creative environment of Wan Changsheng.

Any line that is not well drawn can be seen by pilgrims and tourists, and grandpa is even more cursed.

If the color is almost applied, it is not impossible for experts to see it. Moreover, the incense is smoky and smoky, and in the end it looks like it is dyed yellow. In addition to the lines being more prominent, the color flaws are covered up.

No matter how exquisite or detailed it is, it will not take long, and it will be dirty by the smoked dust.

Even the Piansheng Temple will not clean up the traces of incense ash. The older the temple, the more it will have the more incense aura.

So when necessary, Wan Changsheng and his grandfathers and uncles will deliberately make old and fake.
To be continued...