This is the key to the fact that many ordinary people cannot distinguish between handicrafts and artworks.

Many masters of arts and crafts can make extremely exquisite things, but their works can only be regarded as handicrafts.

Because I failed to inject the soul into the work that was clumped into my heart.

Wan Changsheng, a light veil texture that is almost a show-off, is not uncommon in terms of skills.

It happened in the mid-nineteenth century, when a Italian sculptor, Straza, used this to show the contemplation of a girl under the veil.

Art is to show that kind of tranquility that is looming.

In fact, it is the interest and artistic conception in traditional Chinese art.

Many folk artists, including those in TikTok short videos, can see old men and women who have not received any art education. They can draw beautiful paintings with a bunch of leaves.

All are craftsmanship, not art.

There must be an argument for art, and the works must have ideological connotations.

Therefore, Wan Changsheng, who seems to be a folk artist, can be easily achieved.

He has a way of paying tribute to Michelangelo here.

Didn’t he go to Italy to see Michelangelo’s famous struggling slave, it seems that the uncarved slaves present semi-finished products on the stone.

The avatar of Wan Changsheng also stretched out from the cube.

It's just like the seal commemorating Professor Gou, the hard cube made of horizontal and vertical knife cuts axe, forming a huge contrast with the soft curved veil girl. There is no stiff connection between the two, but as if the hard object part has softened into such a beautiful beauty.

It is obvious that it has the meaning of breaking free from the rigid constraints and turning it into softness.

But it was not as desperate and silent as Michelangelo showed, and even the girl's face raised her chin was not as inclined to fight.

First of all, the beauty is the face covered with a veil, and the beauty that cannot be stopped by nothing.

Show all the greatest feelings when Wan Changsheng stared at Beheye.

People who are more beautiful than her must have a big deal.

If we follow the aesthetics of East Asian race, we may even feel that her mouth is too big, her forehead is a little narrow, or other views, but compared to those beautiful things, it is beautiful but without a soul, Beheye is full of silent struggle.

She yearns for beauty and freedom.

From the first time Wan Changsheng saw her, he felt the struggle of eagerness to break through, breaking through the feudal shackles that still exist in this world.

From the perspective of Wan Changsheng or most people, such absurd, ignorant and cruel etiquette can even be used openly, which is a ridiculous and ridiculous mockery of the so-called modern civilization.

With money or geopolitical factors, it can be allowed to exist, and then ignore it and criticize environmental protection, accusing the poor who are struggling to survive for using too many plastic bags...

This is reality.

If Wan Changsheng saw Du Wen's slightly dark eyes three years ago, he didn't know how to show it except to reach out.

Now he can.

The seemingly square and cold cube is reality and etiquette, which is so annoying in the face of beauty.

The beauty transformed by this struggle is not bloody and cruel, nor is it a wronged soul like Sadako, but a confident and high-spirited yearning.

That’s right, it’s a yearning, a yearning for a better life, and a yearning for where the light is.

No matter how difficult or cruel life is, being born as a human being should yearn for the beauty of the world.

Sculpture is actually more difficult to express the charm than painting.

Because of this monochromatic shaping, it is difficult to express the thoughtful things like eyes. You can only use facial expressions or even a little slight eye muscle changes to show your charm.

But Wan Changsheng just covered another layer of veil.

Make this performance even more blurred.

In the middle, there are certainly his ironic metaphor for a special object such as a veil, and there are also some struggle reasons that reduce the sharpness of the entire sculpture.

It was in his later years that Michelangelo used unfinished semi-finished products to clearly express his helplessness and struggle with reality in works like a bound slave.

This kind of trick has been played in Chinese literati calligraphy, painting and printing for thousands of years.

Wan Changsheng skillfully poured into the sculpture.

When he was immersed in his creation, his eyes were no longer plasticine, and his breathing was blurred. The veil seemed to be able to be lifted at will. Every face undulation and veil folds, after countless trade-offs and in-depths, finally highlighted the elasticity full of life tension.

The little changes deep in the folds all bring out the tremor of the soul like a gossip, squirting out at the silent point and vast in the slightest point.

In a word, those who can understand will feel resonance and shock from the depths of the soul, and those who can't understand will be amazed. This veil is so engraved like it!

Lin Chuni obviously understands it, but in fact, she just needs to grasp the special point of the veil.

By combining Beheye's behavior in taking off the veil in the past few days, you can understand the connotation of Wan Changsheng's creation.

She herself poured ink into the tattoo's talent level, and she didn't say anything after reading it.

Standing quietly, as if you want to fully understand the meaning of it.

Of course, Jia Huanhuan couldn't understand it, so she didn't need to understand it. Some things were so clear about what to do. What happened to her husband for an avatar for an Arab beauty? She just turned around and tried to fold the quilt on the sofa. Huh? Why is it gone?

Wan Changsheng just got up and went to the bathroom in the yard to wash. Where is the quilt?

Beheye didn't look at the sculpture at all, and he tried his best to deal with Jia Huanhuan. He smiled and pointed to the dark shadow that had just disappeared like a ghost at the door, indicating that the servant had taken away the things.

Jia Huanhuan's English proficiency even had a CET-4 listening problem. She could only laugh and gesture, but she was still able to communicate.

Beheye quickly pulled her respectfully to the sofa next to her and talked about her hometown. He opened various exotic photos on his phone and invited her to go to the desert together.

Jia Huanhuan enjoyed this kind of closeness and was very curious.

But it is very national pride that we also have deserts...

What's there to be proud of?

Wan Changsheng saw such a harmonious scene.

Lin Chuni stopped him: "What material is it in the end?"

Haha, then he scratched the itchy part of Wan Changsheng and hurried to the sculpture to gesture.

Generally speaking, clay sculptures are just basic drafts made by sculptors. They will eventually be transformed into materials that are more in line with the original intention of the design, so they don’t need to be made too large. The size of a real person’s head and neck is relatively common.

Wan Changsheng is half a person tall, but not many of them have a big avatar as big as a watermelon.

But first he had so much high-end oil clay, and secondly he was used to making big bodhisattva clay sculptures. The main thing was to make more details.

Now it is a sign along the back of the head of the avatar that merges with the cube: "The avatar is white marble, but it is stainless steel behind it. If the ink feels like this, it is the best place to intersect. Unfortunately, it is impossible to make this gradient between the metal material and white marble."

Lin Chuni understood in seconds: "What does it feel like breaking out of the cocoon?"

Wan Changsheng’s key point is: “Yes!”

This is how an artist feels like a soulmate, and someone understands what he makes.

Lin Chuni's face was no longer the same teasing and mocking, and she stared at the dark gray clay sculpture with concentration: "White white marble... symbolizes beauty and purity, stainless steel... Haha, it has a bit of a lineage with the sculpture you have in the park square. It is the modern meaning of stainless steel transforming from the stone, which is the beautiful and purity reborn from the cold steel... Congratulations, I think this is more than the one at our school gate... How to describe it? It has both artistic atmosphere and smoothness in your bones. You have given this work a lot of superb viewability, so that many viewers who cannot see the meaning behind it can also watch the excitement. As for those who can see the trick, they can better understand the strong contrast between the most complex and the most simple. Is the emotion here, right?"

Wan Changsheng is anxious about the progress of the semi-finished product: "You guys talk, I'll go to the sculpture factory to contact us to arrange the enlargement. When I complete the final product, I'll call everyone to have a meal!"

Lin Chuni is rare: "I want to see this process because I always feel that the transition from stainless steel to white marble is a difficult point..."

Jia Huanhuan is already preparing for a self-driving trip to the desert with Beheye. Let's wave it.

Guo Huaisheng frowned. He even thought that the contrast between the traditional and the simple mentioned by Lin Chuni was too strong. It is not recommended to make stainless steel into a cube with a stiff turning, but rather into a stubborn rock stream with ancient Chinese charm?

Now stainless steel can also be made into the round concave and convex shape of countless curved surfaces, with an artistic aesthetic that is even better, not so sharp: "Why are you doing this sharp? Where are you going to put it? The tourists in your park are holding the corners and asking you to pay for it!"

Lin Chuni stood beside her, her rosy lips moved but she still didn't say it.

Wan Changsheng was indeed smooth, and he laughed and analyzed the whole story for his master: "We sent a group of people to the Middle East to inspect the stadiums and art communities, and we must not make a series of artworks inside. How about our sculpture department bringing an Arab-style series to sell it to the Middle East local tycoons? It can be said that we went abroad and gave Shu Mei a face."

Guo Huaisheng's eyes cannot be bright.

Lin Chuni's concise expression to Beheye is indeed correct.

Chinese people who have suffered for hundreds of years have an indescribable enthusiasm for stolen things outside to gain a face.

Wan Changsheng picked himself out, but in the past ten days, he went to Shanghai for five or six days, and closed down for four or five days to create. In fact, Shumei has become a big mess.

Most of them are for this matter.

In the past, Ma Zhenyu and the others were directly dragged to the stadium by a series of off-road vehicles to visit and take photos. There was no overgrown weeds, only sun and rain. In more than ten years, the five or six stadiums at the time were also worth the renovation, which would be used for the World Cup in a few years, and the rest were basically in a state of abandonment.

These are all comprehensive sports centers, a large sports field with a capacity of 50,000 people, with two or three swimming pools or basketball halls next to them, and a training center and a large outdoor sports field, all of which are abandoned.

When we used the power of the local tyrants to complete these large facilities perfectly, we did not consider how to preserve and use them in the future. Doors such as athletes' villages are now given to foreign workers for accommodation, and our country simply looked down on them!

Not so many people use it at all.

There are more than 2 million people in the country, less than 400,000 of them are from their own country, and the rest are South and Southeast Asian workers who serve the locals.

Senior people from all over the country can't fill it up even if they sit in.

So on the beach, in the city, and near the palace, these original face-saving projects are now as ugly as scars.
Chapter completed!