This is the value of a good script, the value of a good director, and the value of a good actor.

Improve the original same script from different links and fundamentally enhance the artistic quality of the work.

Instead of grabbing time or making progress, fooling around.

Every link is very familiar and quickly pushing it over, which is called industrial products, assembly line products, not artworks.

There is a huge difference between the two.

However, Wan Changsheng and the others still did not use Yu Tian to increase their popularity in the subsequent publicity.

In Wan Changsheng's words, it is: "I can't afford to lose that person."

Although Du Wen mocked him as the sour and rotten bone-like scented, he also fully agreed: "Overall, we are still in a situation of negative struggle. We rashly drag this kind of master into the water. If he is scolded by his fans to take advantage of the popularity, he is not a person inside or outside. We will be too passive, at least we will wait until the movie is released."

Yes, even TV programs and the like began to watch, and then four or five announcements were lined up, but the broadcast time was not determined. The programs I had previously appeared were out of broadcast at this stage.

It could have been a constant effort until the release, but it was paused during this period.

Except for the conversation column the day after the incident, I rushed to broadcast and played a very good rating, but I was immediately scolded online for helping the actors clean up the floor.

Zhong Mingxia starred in a movie with no acting experience, and she became a role in the role of insider trading behind her. She must have been supported by some real-powerful person to have such resources.

But various gossip accounts, bloggers, and public accounts also said that they could not find who the person behind them was for the time being.

A little mysterious.

Because he hasn't been able to watch a young director like Wan Changsheng yet. The film and television industry is so deep, so he really doesn't have enough gold medals in the Youth Exhibition.

So various columns were watching.

Even if everyone has various resources and capital behind it, they require support for the crew of "The World of No Demolition", but in each column group, everyone should watch KPIs for a while. Let's wait until the movie is released before the show.

It is rare to bet on this kind of time.

In theory, if Wan Changsheng and the others took the initiative to discuss with various column groups at this time, Zhong Mingxia has now obtained the contract to cooperate with Yu Tian in a new TV series.

Maybe they will immediately follow it.

But Du Wen and Wan Changsheng both felt that increasing promotion at this stage might backfire, and the audience would instead develop a rebellious mentality.

Then just stop.

Besides, the program team is full of big mouths, and as long as you know the news, it will spread quickly.

It would be better to let Yu Tian look down on Zhong Mingxia in vain.

So, not even the main creators of the crew didn't say it.

This kind of chaotic entertainment situation in Du Wen and Lin Chuni seemed commonplace, but Jia Huanhuan hated it. When the last few companies here announced the notices, they immediately left Japan.

While recording the program, communicate with several young creators.

They are all young people, they are all playful and fun times, and they hit it off and thank the director for their benefits.

Even Tang Jiancheng, who was tense the most nervous, was pulled up.

The last six boys and six girls were even a bit matched by the sorority group, but Lin Chuni was still in the boarding hall and emphasized that Niu'er was hers and no one could take advantage of her.

I am happy that everyone is enthusiastically supporting and following.

Speaking of which, Lin Chuni is the one who travels to Japan the most. She has been traveling back and forth for five years and many times. She has traveled back and forth many times. In addition to her income from tattoos, she can help her purchase agents every time, so that she can travel to all parts of Japan every few days.

I thought of this reason for staying in Jiangzhou for a while: "I feel addicted to it. I have a little money in my hand and I come over to play. I don't have a Japanese or admire Japanese culture. I just feel that I can change my appearance so close to such a quiet place, which is addictive..."

Du Wen also admitted: "I came here once before, but I just thought it was beautiful and prosperous, but it was different from Nier's experience. I went in-depth!

Speaking of which, the second and third girls have experienced visiting Japan. Yu Kaixin even went from Japan to South Korea to Australia, Hong Kong, Macao, Taiwan, Southeast Asia. Several boys are like Wan Changsheng, and have not been so excited yet. The boys' financial pressure is still greater.

But even Jiang Zhuqing can sigh that boys have much longer artistic life. Many excellent actresses find it difficult to get a role after they are thirty or forty years old. On the contrary, ordinary actresses can still act forever, but their average income is low.

This made Zhong Mingxia even less afraid to say that she had already received four million pre-tax pay!

Only she could suppress her expression throughout the whole process, calmly excited inside her heart. She started to hold Zhong Mingxia in her duty-free shop, and even more serious expressions when she went to the customs office, she wanted to go abroad to plant the red flag of the revolution all over the world.

However, Jiang Zhuqing still found that she was often chatting with a male avatar, talking about various topics such as art, photography, and business: "Do you have a boyfriend?"

How dare Zhong Mingxia say that this is Yu Tian’s private WeChat: “Customers, you have to know your preferences clearly.”

There are indeed many customers. During these days when she was away, the famous brand stores in the park have been opened one after another, instantly increasing the overall level, attracting many ideas-based specialty stores to apply for entry. Zhong Mingxia actually used this to ask Yu Tian!

Didn’t Yu Tian play the role of an executive of a large company, so he did hire business experts to coach those special terms and other styles.

Very good at chatting.

Tens of thousands of Changsheng on the flight mainly comforted Tang Jiancheng. Regardless of the current online public opinion and promotion progress of this film, Director Xi said that the theaters will definitely not treat it unfairly, and this is something that all aspects of relationships have been solved.

When I come back, I will almost face the premiere. Traveling is to let everyone relax in advance. At that time, it is probably these ten people who will cooperate with the old professors to go to the stations across the country.

Tang Jiancheng actually didn't expect: "It's good to have a box office of over 100 million, that's a victory."

Wan Changsheng didn't think so much: "They said it would be better to lose 80 million, and I can get hundreds of thousands after tax. I will share it with you after I and my agent."

Tang Jiancheng didn't know what to say: "I... have already taken my share."

Wan Changsheng is rich and generous: "Your hard work is worthy of your income. I think the next step you need to consider is how to better understand the responsibilities of this era. If the movie can take on this responsibility, the official and the school have many opportunities and resources to tilt over."

Tang Jiancheng understood: "Yes, the domestic award-winning movies over the years have been praises. Those who win awards abroad have portrayed the dark side. In fact, the real artistic responsibility lies in between the two. Many filmmakers understand it, but the system is there and they don't talk about artistic principles to you, so everyone is also very depressed, and you seem to have found a compromise."

Wan Changsheng laughed: "I am a young artist. I first hold a halo and then push things around me as much as possible. In fact, the official cannot say that they are corrupt. They are afraid of taking responsibility, but we do it first, which is equivalent to making a part of it. They think it is OK, and when they join in, we will roll, right?"

Tang Jiancheng saw more comprehensive than Wan Changsheng: "In recent years, China's economic strength has indeed improved, but it is still far from all aspects, let alone the right to speak. In Hollywood films, Chinese people still have from the stereotyped braids in the past to the standard nouveau riche image, Fu Manchu, a philosopher, an opium-sucking man, and a sick man in East Asia. These images have always existed, including in the minds of the Chinese. This consciousness has become deeply rooted. The Japanese are polite, gentle, Germans are rigorous, Americans are free and free, Chinese are numb and sloppy? They have been kneeling for too long, and even we can't stand up."

Wan Changsheng nodded with a smile: "Yes, some people say that literature and art are useful at this time? It's better to use money to do scientific research and develop the economy. They don't know if they don't change themselves from the heart, what kind of national confidence and cultural confidence should be discussed? Not to mention gaining the trust of the people of other countries and promoting trust in the Chinese nation, this is what our literature and art should do most at this time."

Wan Changsheng, who is not yet 23 years old, said to the graduate students of the Academy of Drama, which may have completely changed Tang Jiancheng's vision.

I fell into contemplation on international flights.

It is worthy of being an institution that cultivates literary and artistic cadres. When they landed in Tokyo, Tang Jiancheng had a relatively complete idea: "Economic strength must eventually be transformed into cultural leadership in order to gain legitimacy. The cultural values ​​that the United States has exported with movies for the past century illustrate this, so we must also embark on this path now. If we only focus on the box office, we will eventually be just a wedding dress for others."

Wan Changsheng is still a thief: "The box office is still necessary. The box office means the audience recognizes it, but the audience doesn't recognize it anymore. What is the meaning of those movies made for officials and censors? Let the films and TV series that have our Chinese values ​​get the best ratings. This is the value of existence for us artists."

Tang Jiancheng was completely convinced. The rest of his journey was to figure out how Wan Changsheng was at the age of 23 and figured out such a thing that many people would never understand in their lifetime.

Wan Changsheng also began to be convinced by this country full of cultural characteristics by setting foot on Japan's land.

It’s not admiration or yearning, but only by walking and looking at it with your own eyes can you understand how this freak, a hybrid of Chinese and Western cultures, has come step by step to what it is today.

Maybe it has not been fully baptized by war. Just like Guanyin Temple, inherited things and foreign things can save money little by little.

Once given a chance, it can quickly take root, sprout, and bear fruit.

The advantage is that it comes quickly, gets rich quickly, and leaves many inheritances of ancestors.

The disadvantage is that deep-rooted things are difficult to change, and they will also face a crisis of weakness in succession.

This feeling of familiarity can be detected after entering Tokyo.
Chapter completed!