It is conceivable that the fearless charge of the 2nd Company of the 504th Battalion will definitely infect everyone in front of the big screen, including the head of state. Especially when these "Last Iron Cavalry" who survived in front of the opening scene of "Act 5" were still imagining a peaceful life for a month, the next moment was heroic "sacrifice" one after another, and the shocking power of falling in front of the completely real-life shot was even more powerful.

"Sergeant, cheer me up! Sergeant, cheer me up. Your Sera is still waiting..."

"Sir, sir, wake up, wake up! The enemy rushed up..."

"Second lieutenant, load it up! Quickly!..."

"Boom--" With a loud bang, the entire position was blown to the sky.

Just as the position that the Second Company held was bombed, the "real scene shot" that had been shooting faithfully since the beginning of the movie was also bombed. The viewers' perspectives in front of the screen also turned dizzy and then landed heavily.

That feeling is like focusing on the perspective of "the last Iron Cavalry" of the 2nd Company of the 504th Battalion, and being blown away from the big screen. It is like an audience with a "peeping perspective" being immersed from the camera in the movie scene and being pulled back to the audience seat at once. After savoring this feeling of "taking off", it is more like traveling through two worlds separated by the big screen: "movie world" and "real world".

The audience in the movie hall subconsciously leaned back, or screamed and hugged their heads to avoid it, which were the most realistic first reactions to the "time-travel camera". It was really "thrilling" to "no master".

So the impression this time is different from before. Or to be precise, the ending of "Act 5: The Last Iron Cavalry" suddenly "exploded" the audience's "into the perspective" from the people in the play.

Just as everyone was shocked by this magical "time-travel lens" to the pointing angle (lens) frozen on the big screen suddenly moved. The difficult breathing sounded from the "voice-over" accompanied by the shaking lens.

Oh my God, it's a photographer who has been ignored outside the lens!

However, even at the end of the whole movie, the unknown army photographer who faithfully recorded the last battle between the officers and soldiers of the 2nd Company of the 504th Battalion did not appear in front of the camera from beginning to end. If this powerful shell had not blown away the entire position and the camera, the unknown army photographer would not have lost his position and threw away the camera in his hand.

I understood the movie footage edited by female director Leni Rivenstale, and the viewing hall "breaking the fourth wall" was silent for a moment.

As the unknown military photographer gasped intermittently and more and more difficultly, the shaking scene began to drip blood. Obviously, the powerful shell just now also injured the unknown military photographer. And it was already the time to die of serious injuries.

As the audience expected in front of the big screen, soon the entire big screen was stained with blood from the military photographers.

"The director didn't call for a stop, so let's keep shooting." The legendary French female star Josephine Beck in the second floor viewing area suddenly shed tears on the spot.

"Crack--" A strong light illuminated the head of state's "graceful figure", and the movie scene came to an abrupt end.

After a brief pause, the suffocating atmosphere in the movie hall suddenly burst out.

The audience stood up spontaneously, each of them burst into tears, and applause was thunderous.

"My angel, you have accomplished another innovation." The head of state and female director Leni Rivenstale shook hands rather than hugging, showing respect beyond gender: "This is undoubtedly a great work."

"It is the greatest significance of my participation in this filming to get your encouragement." In the final analysis, female director Leni Rivenstale is also a good actor.

"Oh, my angel. This is the glory of the empire." The head of state's expression in front of the camera can indeed bewitching people's hearts.

"It's worthy of being Leni." Compared to the simplest touching of ordinary audiences who are packed in the first-floor movie hall, the Austrian female star inventor Heidi Rama, as a veteran filmmaker, has a deeper observation: "From the opening of "The Beautiful Legend of Sicily" Marlena smiled at the audience and said 'I want to make a movie' to the beginning of an unknown military photographer who was bombed out of the camera and ended in blood, Leni turned the second-person propaganda minister Joseph Go

"National Glory: The Battle" created by Peer at all costs is nested into the "play in-play" structure of "I Want to Make a Movie". While "breaking the fourth wall", it also completely breaks the "Nazi propaganda war" that "No. 2" forced the film to give the film a bloody erotic letter to become a filmmaker (tsk tsk, I feel that this pool can no longer accommodate you, sir).

The profound observations of Austrian female inventor Heidi Rama also echo the second casting assistant Anna Moffett's understanding of the filming of the "Big Battle": "Recording what really happened is a strong belief in supporting Leni Rivenstale's final cut of "Big Battle". Just as director Giovanni's last words: 'War is never the responsibility of us filmmakers. Our responsibility is to find a bloody curtain belonging to the filmmaker in this bloody cannibal of human beings. Record, describe, and create in the way of a filmmaker. Good and bad, justice and evil, or just a trivial blood flower blooming on the chest in the sad and happy life.'"

The leader of the "SA3 Sisters Group" and the chief casting assistant field girl Danielle expressed the voice of all filmmakers: "'It's just a tiny blood flower blooming on the chest in a sad and happy life."

"Lenie did it."

There is no doubt that the premiere was an unprecedented success.

When the movie ended, the premiere live broadcast once again entered the movie scene.

As the camera's camera swept through the tears of ordinary viewers' faces, the audience sitting in front of the TV will involuntarily be infected by the full emotions in an instant.

Soon after, the classic scene of the head of state shouting "click" was edited in the shortest time, and it was played in various public places, whether it was the Berlin subway, railway station, or the TV screens of densely populated department stores and luxury hotels. The sensational effect was unprecedented, especially considering that the Third Reich was destined to be short-lived.

With this "National Glory: The Battle", which "breaks the fourth wall", the talent of female director Leni Rivenstale has been recognized worldwide. More importantly, from the perspective of a purely filmmaker, female director Leni Rivenstale has completely cleared the Nazi suspicion.

Concentration camp platform, "Outstanding Lady's Call".

Once again, the safety supervisor of the set who was preparing to inspect the carriage, the female guerrilla player Erin reminded everyone: "Be careful, the movie is over."

Anna Moffett, the second casting assistant who has been watching the live broadcast in the upper cockpit, nodded gently: "The plot of "The Great Battle" is over, and our plot is about to be staged."

Hannah Leche, a female pilot who plays a train driver in the advanced cockpit of the era, looked up from the pocket display embedded in the control panel: "Is there no news about Louise and her squad?"

The safety supervisor on the set, the female guerrilla Irene, got up from the post sitting next to the porthole: "Not yet, the wireless signal on the field has not been removed, so they can't be contacted."
Chapter completed!