1.1401 The "if" in the cross-plot fusion of time and space that we are personally experiencing is stronger and more complex
GGL Big German Locomotive Manufacturers Federation Broad Rail Rail Testing Ground, "National Glory: The Battle" set.
Director's carriage.
As the head of the "Silver Fox Action Group" of "The World War II plot fragments are similar and soluble in cross-plot fusion time and space" in "The Great Battle", the second casting assistant female secretary Anna Moffett soon obtained the latest top-secret information.
The European resistance group led by a US contingent is preparing to assassinate the Third Reich head of the Reich Hitler and the Nazi senior officials attending the premiere on the premiere. The assassination plan is codenamed: "Operation Chino".
"This seems to be the original plot of "Inglorious Bastards"." Danielle, the leader of the "SA3 Sisters Group" who did his homework when he arrived, immediately thought of the chief casting assistant field girl.
The story of "Inglorious Bastard" was divided into five chapters. During World War II, German colonel Hans, known as the "Jewish hunter". During a Jewish murder operation, Susanna, a girl who was killed in the basement of the farm, escaped by luck. At the same time, eight American Jewish soldiers sneaked into the German occupation France under the leadership of Lieutenant Aldo, assassinated the German soldiers. Their actions were elusive and cruel, posed a considerable threat to the German army and were called "mixed". Three years later, Susanna came to Paris to inherit her aunt's cinema and met her.
German combat hero and starring the sniper Friedric, who fell in love with Susanna at first sight, persuaded German propaganda minister Joseph Goebbels to premiere in Susanna's theater "National Glory", which changed according to his combat experience, Hitler himself will also attend. Susanna decided to burn the theater with the screening opportunity; and under the arrangement of German spy female star Brigitte von Hemsmark, the joint assassination of Britain and the United States "Cino" will also take action on the night of the premiere.
"What's the ending?" German female star Brigitte von Hemsmark asked with a smile. This is also her personal branch main plot.
"As a result, the assassination was very successful. All the Nazi executives who attended the premiere died in the fire ignited by film. The Third Reich Head of the Third Reich Hitler and Propaganda Minister Joseph Goebbels were swept into sieves on the spot by machine guns." Danielle, the leader of the "SA3 Sisters Group", and the chief casting assistant field girl, smiled: "Hitler died in an assassination. This plot point that is contrary to the real world is also unexpectedly bold. Of course, compared with the setting of the Third Reich ruling the world in "The Strange Man of the High Castle", it is "a big witch that looks like a little witch."
""History cannot be assumed, but art allows assumptions." Female director Leni Rivenstad said: "Aristotle affirmed the authenticity of the real world and believed that art is actually imitation.' Leonardo da Vinci believed that 'nature is the source of art'; thinkers during the European Enlightenment also advocated that art is an imitation or reproduction of nature. From a literary perspective, the assumption of art refers to the non-consistency between objects and real things, and in movies, the non-identity between images and real portraits and objects.
‘Although movies can map the inherent light, sound, color, movement, etc. in reality, these are not reality itself; movies can use special technical means to divide the continuous space-time and movement of reality and their movements, making them a virtual assumed space-time and specific movement, and this space-time and movement may not necessarily exist in reality; and, the angle and scene of the camera (referring to the difference in the range size presented by the subject in the camera recorder due to the different distance between the camera and the subject when the focal length is fixed), the different movements of the camera, the shooting speed, the change of the lens focal length and the special light and shadow, and the use of color are all artificial visual effects, with the strong subjective consciousness of the creator; the partial combination of sound and the picture is to break the non-realistic combination of audio-visual logic in reality; the performance of actors in the film art is also a simulation and assumption of the behavior and actions of the characters in reality, etc.
These expressions are clearly artistic subjective and personalized, which is more prominent even in recorded movies with strong sense of reality or live broadcast images I realized for the first time in the Berlin Olympics. Because what the camera provides to the audience and what is not provided by the live photographer, what he wants to display in his subjective wishes, that is, what the audience can see, what he does not want to display, and the audience cannot see. This subjectivity naturally also has the assumption of objective display.'
"Wow..." The expression of the second casting assistant secretary Anna Moffett says it all. The female director Leni Rivenstale's artistic accomplishments are as bright as her film talent.
This profound analysis of the movie's "supposition" is almost the most exciting discussion of the differences between the plot time and space and the real world. In a sentence, it is summarized: "Real time and space are objective worlds, and plot time and space are subjective worlds."
Danielle, the leader of the "SA3 Sisters Group", nodded happily: "It's like an animated film adapted from the Marvel comic "What If...? (What If...?)" to explore the critical moments in the Marvel Cinematic Universe in an animation, and discuss another direction such as if Steve Rogers did not accept the experiment, but Agent Carter became a super warrior, leading the audience into unknown fields. This is a clever interpretation of the derivative direction of another plot within the plot time and space."
"It's like the new derivative of the fusion plot caused by the intervention of us, the plot characters of the second casting assistant secretary Anna Moffett expressed his feelings: "Compared with the "If...?" in Marvel's plot time and space, the 'if' in the cross-drama fusion time and space we are experiencing is stronger and more complex, and of course more advanced."
The leader of the "SA3 Sisters Group" and the chief casting assistant field girl Danielle immediately said the key point: "That's of course. Don't forget that our master is the only Purple Gold VIP in the Golden Age of the Shelter. The big player with the "Ω Small Universe"."
"Then the question is." Second casting assistant secretary Anna Moffett looked at the sisters: "What if Hitler was assassinated on the premiere day?"
"From the perspective of plot-derived. Once the head of the Third Reich, Hitler, is assassinated, the propaganda minister of the second character, Joseph Goebbels, will become the successor of the Third Reich." Mrs. Katy, the deputy director of the casting, hit the nail on the head of the Third Reich.
"So. The 'mysterious player' hiding behind the scenes is using 'the plot kill that ends the plot' to achieve the greatest harvest of the plot in the stage." Female military doctor Carol Baker suddenly woke up.
Chapter completed!