"I personally believe that recording the real events is to support Leni Rivenstale's strong belief in completing the final cut of "The Great Battle". Just as Director Giovanni's last words: 'War is never the responsibility of us filmmakers. Our responsibility is to find a bloody curtain belonging to the filmmaker in this bloody cannibalism of human beings. Record, describe, and create in the way of filmmakers. Good and bad, justice and evil, or just a trivial blood flower blooming on the chest in the sad and happy life.'" Second casting assistant Anna Moffett gave his own answer.

"Ah..." The never-dead "France Rose" understood the filmmaker's position: "Sorry, I don't have much interest in making movies."

"Don't rush to make a decision. Please come to the set and have a look, okay?" Second casting assistant Anna Moffett was not planning to give up.

"That's it." After a little thought, the never-dead "France Rose" finally let go: "Then, okay."

"Okay, madam. Are you free in the afternoon?" Second casting assistant Anna Moffett immediately agreed on the time.

"Yes, no problem." The never-withered "France Rose" seemed to show no special interest from beginning to end.

"Okay, the car on the set will be waiting at the front door of the hotel on time at 2:30."

"Can you say again who you are?" It is also natural to not remember the name of a stranger who was on the first call.

"No problem, madam. I am the second casting assistant on the set of "National Glory: The Battle", Anna Moffett."

"The second casting assistant, Ms. Anna Moffett. Looking forward to meeting you." After repeating it, the never-dead "France Rose" politely hung up the phone.

"I also look forward to your visit." The whole conversation was flawless.

In fact, the Adron Hotel, where celebrities gather, is a place where reporters gather. The beautiful women in the car in front of the door murdered countless films. This is the same as many tabloid reporters who like to appear near the five-star hotel in later generations, and it is the same as the psychology of taking pictures of celebrities.

Of course, just as there are always people who like to disguise themselves in high-class parties in disguise and be generous. There are also many beautiful modern girls who do nothing all day long, specializing in and out of the Adron Hotel, where celebrities gather. It is as natural as if you are clocking in to work. The purpose is clear and simple. What if you "fish a golden turtle son-in-law" and "fly to the branch and turn into a phoenix"?

Even if you cannot reach the dragon and the phoenix and rely on the powerful and powerful, you will be considered by a certain star scout and become famous overnight.

So, it seems that the never-withered "France Rose" that has not shown any special interest in making movies from beginning to end is also free to meet with the second casting assistant. Therefore, for the Gestapo who eavesdrops on the phone, this pretentious attitude of wanting to refuse but still waiting has quickly washed away the suspicion of "France Rose".

The partition door of the suite was gently pushed open.

Several modern girls living in the next room walked into the room of Louise Desfontein, the never-dead "France Rose". They were all members of the SOE women's contingent, Jenny Faucier, the prostitute who killed the pimp, the female secretary of the bomb expert, Gailly Le Meneke, the dancer who had been engaged to a Nazi officer with a pseudonym "Lilian", and the Jewish female nurse, radio operator, Italian female agent Maria Luzato.

"Louis, this second casting assistant seems to be ours." Italian female agent Maria Luzato whispered.

"I know, Maria." Louise Desfonte quietly gave a look of "Be careful of the ears of the wall", and then coughed lightly and said openly: "This is the purpose of us selling everything to Berlin. Although we are only one step away from becoming a movie star, we must hold it back. As a man, we cannot stick it too close or wrap it too tightly. If you are close and distant, you are willing to refuse and welcome it is a clever social skill."

"Ah, you know men the best." Bomb expert Jail Lemeneck immediately cooperated happily.

"I made an appointment to meet in the afternoon." Louise Desfontein urged deliberately, snapping his fingers, "Girls, dress up quickly. Good days are coming!"

"Long live--" A group of ladies who had been touched clearly by the Gestapo who had been eavesdropped on the "details" immediately cheered and ran back to their rooms.

Having almost no disturbance or obstruction, the SOE women's contingent arrived on time in a special car. After passing the security check, he was invited to the casting office of the deputy director's car.

"Hello, madam." Second casting assistant Anna Moffett reached out enthusiastically.

"Hello, ma'am." SOE Women's Task Force Captain Louise Desfontein responded enthusiastically.

"Talking about the role first, or taking pictures first?" Second casting assistant Anna Moffett went straight to the point.

"Let's take a photo first." Louise Desfontein, the SOE female contingent captain, originally thought that the meaning of "taking a photo" was just to "verify the body". Going to a safe secret room connection is also a common method used by underground resistance organizations.

Move to the dedicated studio, and when the second casting assistant Anna Moffett smiled and pressed the shutter: "Look ahead, keep smiling, don't blink, 3, 2, 1--"

With a "click", the white light shines.

The "character patch" that was granted by the second casting assistant in advance to "Space-Time Cache" with the Air Force customized version of Leica IIIc "Spick Camera" successfully activated the personal exclusive branch of "Solving Entry" with one click reset of "Solving Entry" plot line completely updated, and the "France Rose" female sniper "Louise Desfontein" who never withered, the original plot identity of the time and space has been quietly replaced by a new identity of a member of the "0326 Star Cube Base" from a higher dimension.

The consciousness was infinitely extended in an instant, and the old memories kept flashing back like a movie that was quickly rewinding. The "large close-up clips" of profound memory in life were freezing and enlarging from the long life scene without reservation. They appeared naked in front of the eyes. All the only male protagonists in the "snippets" that were frozen, enlarged and exposed twice followed a moment from blurred to clear, and from strange to familiar. The lagging "snippets" of memory then poured out thousands of miles, re-forming a complete memory chain.

"Ah..." is the same as the feedback from all the members of the "SA3 Sisters Group". Accompanied by the soft but unsatisfied sigh, the starlight in the eyes of the SOE female task force captain faded and returned to normal. The whole person was reborn from the inside out.

His whole body was glowing.

The exact term for secondary exposure is: Multiple Exposure. It is a technical method in photography that uses two or more independent exposures, and then overlaps them to form a single photo.
Chapter completed!