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1.1380 Simply put, you must avoid making "The Great Battle" into a Nazi film

Anelise Ackerman, who was also a German female star, suddenly felt a sense of emotion when he sent off the Berlin female star led by "First Lady" Eva Blauen.

"What?" As the sister who returned to the original plot together, the female guerrilla Irene asked with concern.

"About 'Premiere Day'." Female star Anelice Ackerman deliberately emphasized his tone.

"I understand." The female secretary Anna Moffett immediately woke up: "Just like the 'sweeping day' we experienced with our master, and the 'smute day', 'collapse day', 'open day', and 'open day' that the master brought to the main plot of the 0326 exclusive branch. It seems that these 'special days' are the beginnings of the drama catastrophe."

"No wonder there is no 'anniversary' in the Broken City." The female military doctor Carol Baker sighed meaningfully: "It is indeed 'It is easier to forget what it is to forget about'."

"It is undoubtedly the safest." After the chief casting assistant Danielle accompanied female director Leni Rivenstale and casting assistant director Mrs. Katy to the platform to see him off, the three of them returned together.

"Who said no." Second casting assistant Anna Moffett is also very cognitive about the Broken City: "There will be an unpredictable plot event on the 'Premiere Day'. As for whether it is good or bad to us, we will have to wait for the 'Premiere Day' to know."

"By the way, did the 0326 main adventure "Limited Plan: Doomsday Walking" that the owner was doing when he was about to come, did he also experience similar emergencies?" Female star Anelice Ackerman remembered that when he was about to come, the platform all-in-one machine of Panoramic Bridge had printed out the exclusive land sign of the 5-star "V8 Castle" over time.

"That's right. The female housekeeper is called 'Divine Punishment Day'. In the last battle to guard Athena, the master transformed into a V8-engine Divine Messenger, and used the exclusive high-dimensional ability skeleton grip to pull all the scrapped satellites in orbit out of space, creating an indiscriminate attack like a 'Meteor Fire Rain', and eliminated the distorted army of warlords in the three towns in one fell swoop." Danielle, the chief casting assistant battlefield girl, knew more details.

"No wonder. I said at the time that most artificial satellites would burn most of them after falling into the atmosphere, and it was impossible to fall to the ground to cause such a powerful impact power. It turned out that these scrapped satellites did not fall to the earth by themselves, but were pulled off by the owner with a high-dimensional hand." Female military doctor Carol Baker smiled: "So the V8 beam that shot straight into the sky is actually a special effect performance of sound, light and electricity. In order to hide the owner's burning skin, the skeleton grip."

"Yes, that's it." Danielle, the chief casting assistant field girl, nodded happily: "When it comes to performances that fit the plot, we still have a lot to learn."

"Lenie, can we complete the final editing on schedule?" Mrs. Katy, the assistant casting director, just rightly pulled everyone's perspective back to the branch plot that we are experiencing.

"No problem." Female director Leni Rivenstale understood Mrs. Katie's concerns: "Don't worry, Heidi. I promise you that "The Great Battle" will not be "The Victory of Will."

Speaking of which, when filming "The Victory of Will", Leni Rivenstad received unlimited production funds, the right to participate in the preparation and arrangement of the Nazi Party Congress, and a crew of more than 100 people composed of 16 photographers, 22 drivers and multiple police officers assisting in the shooting, as well as more than 36 cameras at the same time. In addition, special bridges, towers and slopes were specially built to facilitate shooting. The film took only 6 days to shoot, but Leni Rivenstad took 7 months to edit the film from 170,000 feet of film.

In fact, from a professional perspective, director Giovanni, who advocates "real scene shooting", handed over the rest of the work of "The Battle of the Great" that has basically completed the shooting work to "The Rose of the Empire" and "Mother of Documentary" because of the dancer, movie star, and famous director and photography master, Leni Rivenstale, who is attracted by her ability to control "documentary films".

From the perspective of Sicily landing war, the "Big Battle" directed by Giovanni, especially the war scenes, is a war documentary.

This kind of shooting technique of combining internal and external scenes, virtual and real, is becoming more and more mature nowadays. Just like the "Starlight Strange" that combines virtual and real scenes with the "play in play" technique to tell the dream of a girl in a small town. Many German stars are acting in their true colors. "Performing performances in front of the camera" gives the movie audience in front of the big screen a sense of viewing that is closest to the reality.

"Leni, you must be careful about the choice of the film's 'perspective'." Danielle, the chief casting assistant field girl, couldn't help but remind: "If you can show the artistic nature of 'film without borders' to the greatest extent, and do not arouse dissatisfaction from the Nazi senior management and avoid affecting our subsequent shooting plans, it will be the greatest success."

Danielle reminded Leni Rivenstall to downplay or even eliminate "Nazization" as much as possible. Avoid being criticized by the international film market outside Europe. Especially the film market led by Hollywood in the United States. Simply put, it is necessary to avoid making "The Great Battle" into a Nazi film. Of course, as a commercial blockbuster that puts entertainment first, even with the most strict "Movie Law", the filmmakers still made most pure commercial films. After the victory of World War II, they passed the strict test of the Allies: in the 12 years from 1933 to 1945, among the 1,097 films shot in Nazi Germany, only about 180 of the 1,097 films with fascist content were banned by the Allies, and the others were entertainment films and commercial films, without any political propaganda content. The pass rate was as high as 83.6%.

"I will, Danielle." Leni Rivenstale has enough ability and faith to support her in completing the final cut of The Great Battle: "Record what really happened, just as director Giovanni's last words: 'War is never the responsibility of us (the filmmakers). Our responsibility is to find a bloody curtain of our (the filmmakers) in this bloody cannibalism of human beings. Record, describe, create in the way we (the filmmakers). Good and bad, justice and evil, or just a trivial blood blooming in the chest in the sad and happy life.'"

This chapter is not finished yet, please click on the next page to continue reading the exciting content behind! "I really miss that old pornographic critic." Female guerrilla Irene smiled faintly.

"Yes, it's so naughty." Leni Rivenstale is indeed the person who knows art the most: "By the way, Heidi. The candidate for the "Cinema Carriage" has decided?"

"Not yet." Since returning to Berlin, the schedule of casting assistant director Mrs. Katy has been very full. Projects that are not very urgently needed will be properly postponed.

Previously, the "Excellent Ladies' Call" created by the "SA3 Sisters Group" for the "East Travel Plan" = "SA3 Diesel-electric Hybrid Body" + "Production Carriage" + "Celebrity Carriage" + "Actor Carriage" + "Makeup Carriage" + "Salon Carriage" + "Cinema Carriage" + "Dolla Cannon" + "Clothing Carriage" + "Props Carriage".

Among them, the 52-axle 40,000-horsepower diesel-electric hybrid vehicle has a head length of 128 meters. The following carriages are modified from eight-axle double-layer carriages with a length of 42 meters, a width of 6 meters and a height of 7 meters. Then, a train cannon with a total length of 53 meters is dragged, so the total length is: 128 meters + 42 meters + 42 meters + 42 meters + 42 meters + 42 meters + 42 meters + 42 meters + 42 meters + 42 meters = 517 meters.

Now, with the transformation of the "dieselectronic hybrid vehicle front" into the "B-VIII uranium nuclear vehicle front", the engineers and technicians who did not participate in the shooting of "National Glory: The Great Battle" have begun a new technological upgrade under the leadership of Dr. Gunther Vince.
Chapter completed!
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