Ding Chen also knew from Tong Yuelong that Yinwen Company was constantly recruiting content planning and content operation. At first glance, this kind of position has no threshold. If you don’t choose majors, you are picky about education and are basically to filter out those who are too stupid. Even if you are confident in your own abilities, you will still look at the administration and personnel of Yinwen Culture if you really submit your resume. However, it is often this kind of position, and you feel that it is a thousand miles apart from being able to do it and really being able to do it.

Sometimes it’s not that the ability is not good, but the direction is wrong. Content operation is the basis of content. If you don’t have a sense of identity and understanding of the content, how can you do it? Therefore, this position actually has to be subdivided into two-dimensional or three-dimensional, which aesthetic, content production or consumption, market work or public relations work, etc.... Anyway, it’s very troublesome.

But Ding Chen, like Tong Yuelong, is also a fan of "Yinying", basically she brought Tong Yuelong into the trap. She herself has very few Kaxian CP parties (Karjeren and Xiankobo). Although she doesn't know where the cute spot is, there must be some special features that can play unpopular CPs. In the Thirteenth Fleet, she is not as high-profile as Tong Yuelong. When applying for a position, her fleet position was the head of damage pipes and maintenance of the destroyer Ruida II.

After the merger of Thirteen Fleet and Silver Page Culture, they have been following the worldview project to do the entry review work. For each entry, she has to check that there is no conflict with the main text. Later, the work has been expanded to the scope of the review core fan. She seems to be able to memorize the whole set of books and pick out conflicts from very subtle places. For the core author, as long as she can pass her review, it means that she has a very good grasp of the relevant entry. Being able to pass the review official Fuxing level can cheer in the author circle.

Then, Tong Yuelong felt that many worldview operations projects in "Yinying" really needed a full-time staff who was familiar enough, so he mobilized Ding Chen to submit his resume. Ding Chen naturally did not disappoint everyone's expectations, and easily got the green light all the way and went directly to Yue Qingyan.

Does Yue Qingyan care a lot? Not exactly that.

Ding Chen may be one of Yue Qingyan’s best memories of life before rebirth, and it is the source of emotional driving force in the first novel after rebirth. But in addition, it is just like that. They didn’t have the chance to be together before. Now, it is even more impossible. Yue Qingyan has been with Moersheng for a long time. Although Yue Qingyan and Moersheng are still complaining about the current state of being together, it seems that Yue Qingyan has achieved a secretary who has something to do and is not a secretary, but it has to be said that the relationship is still solid and stable.

However, for Yue Qingyan, Ding Chen is undoubtedly special. However, this specialness may not be manifested.

"I have no objection to employing people. This is the reason why I signed it. As for my interview, can I make up for it in the future?"

"Then Ding Chen is the only employee who joined the company without your interview. This kind of special thing is very troublesome." Tong Yuelong complained: "Boss, it's okay if you are not here, so it's best not to be here."

"Uh...I got it, next Monday. I'll go to the company."

"Okay." Tong Yuelong said: "Then, these planning plans...you first look at them. After you pass the approval documents, I can go back to the company first."

Tong Yuelong stayed in the studio for an hour and basically finished the things that needed to be handed over, and returned to the company with satisfaction.

But Yue Qingyan had a headache. Although he knew that Tong Yuelong came to talk about work, he didn't write anything today. But unexpectedly, Tong Yuelong completely broke his creative state.

It’s hard to say how much trouble there are, but for an author, sometimes just a slight change in his mood is enough to make them unable to write something. Of course, Yue Qingyan is not that fragile.

"What's wrong with Tong Yuelong's hands? It's very troublesome?" Fang Anxin asked after Tong Yuelong left. She could feel the various changes in Yue Qingyan's mood now.

"The company's affairs are just troublesome, but in fact, it's enough to leave them to you. Why do I have to be a name and manage the matter at the beginning?" Yue Qing sighed.

"If this is not the case, the company can't organize it at all." Fang Anxin explained: "Don't complain. Most of the matter is controlled by several directors. I just scan the emails every now and then."

"I won't talk about this anymore. What do you think of this book in my hand?"

Yue Qingyan asked the question seriously and immediately made Fang Anxin serious. Mo Ersheng sat aside and listened carefully to the introduction of the two. Perhaps, there were some parts she could participate in this question.

"What I worry about is that it is a bit too sad and negative." Fang Anxin said: "I felt this from the beginning. The fundamental commonality of a group of individuals you want to describe is that they are separated from the mainstream society and value system. They are not normal family members, nor normal office workers, and they seem to be in the scope we can capture through various communication systems. They just exist there."

"Yes, they are obviously some very typical and very existence-oriented people, why is this happening? Have you ever thought about it?" Yue Qingyan sighed: "I don't mean to make a statement for these people. You know what I think. In the stories I wrote, various marginal people are basically not good people. Or in other words, their own value judgments are different from ours."

"A gentleman's name should only appear three times in the newspaper. When he was born, when he got married, and when he died, it seems that you don't give him a chance... No, some people still made some big deals, or their deaths still attracted some attention."

"Originally, these people are not gentlemen. When they encounter problems, they have no channels to solve them, so they can only find Mashima Ma. Mashima is not a kind man and a woman, and they also have their own interests. For him, the troubles of these people are also a means for him to penetrate into the gray areas of various fields. Although the action is slow, it is still very effective." Yue Qingyan explained.

"I remember that at the beginning, Mashima Makoto was a good person who was going to write about? Why did you suddenly turn him into evil?" Fang Anxin was a little puzzled.

"How can a good person survive in this environment? How come he was invited rather than coerced? There is no way to explain this problem." Yue Qingyan sighed.

"It's useless to argue about these things now. Let's write them out first. Moreover, after all, it's an RB story. In theory, someone will soon see your allusion, right? Let's talk about it later." Mooresheng made a smooth move. She herself likes the story of "Ikebukuro West Guest House". The text is light, but the narrative tone and content are very sharp, and the description is very simple and simple, but the content is actually quite heavy.

The protagonist Mashima was just a teenager who helped his family do something in a fruit shop. He liked music but didn't play bands or other things. He once wanted to join a street gang, but later he quit, which was also the basis for his reputation in the Tao. Then, all kinds of people, especially those who did not get mainstream attention, or those who could not solve the problem on the side of the official to the official, would go to him and ask Mashima to help settle the matter. The key is not how to solve the problem, but what kind of people will encounter problems. The design of those marginal people is really grieving.

For example, when a girl who is deeply involved in disputes is threatened, extorted, followed, coerced, etc., she dares not tell her family. However, if there is any channel to appeal, no one is willing to help or can help, and she has no resources to exchange for help from others... except themselves;

For example, a teenager who was isolated due to autism was already very unfortunate because of family reasons. However, after being bullied to the limit, he fought back angrily, but was caught by a small group on campus. Whether it was a school or a teacher, there was no way to ask for help;

For example, a middle-aged man who has been hiding from XC for many years because he evaded debts has been hiding nearby. He saw that his family was in trouble, but he was powerless;

For example, low-income odd jobs who lack skills and cannot find formal jobs, can only follow a few foreman to take on various scattered jobs every day. What if there is a health problem? If they don’t work for a day or two, they can’t even eat. What if they are cheated and involved in criminal activities?

In fact, the living conditions of these people, and even the existence of these people, are very far away from Yue Qingyan. Fang Anxin participated in the entire preparation work with Yue Qingyan, and did not see him actually conducting interviews and research on the front line. He did observe many people and things, but these things have been continuously arranged, combined and deduced, and have actually turned into a terrible sense of reality.

What's even more serious is that everyone looks like teenagers. It does not mean that these people are written incorrectly or appear to be low in age, but refers to the mentality shown by adults in the story when they are helpless and sad, like children who have not grown up yet.

Various characters that seem to be real but are actually derived from Yue Qingyan’s deduction and conception, built this story, which is really charming and interesting. Of course, based on domestic publishing standards, this novel would be impossible to come out without a RB Tokyo shell.

Fortunately, this book is actually not very ambitious in market sales. Because the series is not very long, it does not take up too much Yue Qingyan's time. The subsequent work Yue Qingyan claims to have already had ideas, and it is more for the purpose of being a substitute for a transition period. For readers and fans, this series of novels can make people feel a sense of identity and substitution, and are full of topicality; and for other levels, this series can show Yue Qingyan's observation of the current social situation and his sense of social responsibility.

What's more, the market for this book may not be bad. It's just that Silver Page Culture and Ming Dynasty agreed that this series is mainly based on the basic synchronization of the Internet and entities. This kind of novel with no strong coherence is not the first choice for both markets. I don't know if I can still enjoy the bonus of the platform craze.
Chapter completed!