Immortality, a gift, or a curse, is the theme of the fourth part, which is actually reflected in many people, such as Azker, Anderson, Leonard, etc., and so on. Finally, Xiao Ke saw those cocoons, saw the earthlings wrapped in the cocoons, and the modern costumes of Earthlings. When he saw three of the cocoons had broken, the gift or the curse question was, I don’t think it needed to point it out again. The tone of the thrilling horror, suspense, crazy darkness of the whole world appeared again.

This is one of the most impactful pictures I expected before the book opened. Now it seems that the effect is still good, laugh.

The entire fourth part is progressing layer by layer, and the foreshadowing of the recycling, including the Anderson line buried from the middle part of the third part, finally had a strong burst and echo. I was quite satisfied with the remaining lines. Some of the remaining lines will also be recycled in the fifth part.

However, there are still some problems in the fourth part. First, the rich man lacks conflict in daily life. Once they are stretched, they don’t know how to build tension. Many points have to be explained. I have to mention that this leads to a little anxious before going to Channis Gate. The turning point is not gentle enough, and the final pad is missing. I have said it before, so I won’t talk about it much.

Second, the plot is relatively long, and there is something wrong with the rhythm of the middle and late sections.

From late June to mid-July, my writing status was a little overwhelmed. I got the recipe from Klein and ended with Leonard's grave digging. The tension of the whole plot declined from the peak. I tried to make up for it, reconstruct, and find new stimulus points, but the effect was not very good. As for the reason, I later figured out the lack of changes.

In layman's terms, the upgrade has been delayed for too long. From the third part to the Secret Ode Master, to the fourth part, it has been two or three hundred chapters. The aesthetics have begun to be tired, the tension has begun to decline, and the essential change is urgently needed.

So, I adjusted the rhythm and pushed everything that could be placed behind and described it sideways, aiming at the two lines of upgrade and revenge very clearly. Judging from my own feelings and specific data, the effect is still good.

Of course, this also caused some problems. There are several places that are more rushing, such as the Calderon section, which should be a little more stretched and tortuous.

Well, for me, upgrading is not only a pleasure, but also a tool to control the rhythm. The former is easy to understand. Even in the real world, upgrading is everywhere. There are roads for employees to be promoted, both businessmen and officials. The reality of not upgrading does not exist, but some are not very obvious.

The latter one is quite complicated. I simplified it into the pursuit of change. Even the daily books need to change and require the stimulation of new things. One upgrade can bring a lot of changes, so it can be used to control the rhythm and measure problems.

After speeding up the pace and reaching the final climax plot, the most important thing for an author is to straighten out the emotions, straighten out the emotions they want to express, remove the harmful and unnecessary things, and ensure that the emotions progress through layers, accumulation and outbreak are not disturbed, interrupted, or downplayed.

So, in the last part, I gave up a little urgency. First, after Adam's line was pulled out, unless the Rose School was pulled in, there would naturally be a little urgency. If I did that, the scene would be too chaotic and could not put the emotions well on revenge and sadness.

Secondly, Xiao Ke is the director in this game. He wants to let things be under control. Too many accidents and urgency will lead to digestion and escalation that cannot be natural. If revenge and escalation are divided into two lines, it will be too slow to come later. The rhythm will definitely be problematic and there is no tension.

Also, the existence of the evil spirit of the Red Angel at the beginning would also make the sense of urgency unable to be raised, which was considered a sacrifice to shape the characters.

Well, let’s intersperse Ince’s memories, the plump character, which is actually not helpful to emotions, so I sacrificed it.

In fact, it is not impossible to create a sense of urgency in the middle. For example, put Daly's death in advance, and ignite that emotion in the middle, creating a sense of urgency that Ince can kill everyone and escape. But in this way, the afterglow of the ending and the tragic beauty of the ending cannot guarantee the emotion to be in place. After measuring, I can only make such a choice.

For Daly, in the earliest character, I put her in the line where the goddess of night pursued the power of death, and later gave up this idea and asked her to be an ordinary genius. Together with the captain, the ordinary middle-level night watcher, there is a story with a less protagonist template. This looks very unique and rare under the background of the entire story and atmosphere.

Ah yes, and, often, my words may be a bit irregular, strange, and the word order is also the same. I am trying some things. I hope to pass on the pictures in my mind and the emotions in my heart to you in the most vivid way. At this time, I will not consider the use of adjectives, verbs, or nouns, but consider which words or words can better show the key to the picture, which is more intuitive and intuitive.

Many authors have similar troubles. I remember many of the books behind Wen Rui'an. Some places seem to be filled with water, such as a bunch of "knife" surrounding a person's name, but in fact they all want to better shape the picture, better convey the feeling, and break through the limitations of words. In this regard, words are always inferior to pictures.

This is the technical summary of the fourth part. As for who the third or the first time traveler is, you can guess, hehe.

Well, as usual, I will take a break after one movie and make up for an ideal idea. Although there are weekends, I will only have three days off and will resume updates at 12:30 noon next Tuesday.

The fifth part, "Red Priest", everyone can do reading comprehension and laugh.

Finally, I would like to recommend two books, one is "The System of the Gods and Dragons in All Heavens and Worlds". The stories that are rare are the blood-colored romance, and the name of the people are still very innovative.

One is "Saying to the Sword", a new work by the old master Lan Di.
Chapter completed!