Chapter 116 of the sixth part, for me, the overall completion rate still meets my expected standards.

In the fifth part, I said that the peak of the plot is in the sixth part. Note that I was talking about peak, not **, laugh, because I clearly knew that the pleasure and explosion were a bit lacking, and the most important thing was to give a strong sense of impact. This point, when Amon said Chernobyl and when the chief said that Omibella was already dead, I could clearly feel the joy that writing gave me.

Correspondingly, the chasing order exceeded 60,000, which became the peak of the whole book, especially the Amon area, which reached 63,000. As for the chapter of Omibella, it was not yet 24 hours when writing the summary, so it was impossible to give the result. I only knew that when I uploaded it for an hour, the chasing order would be 32,000.

These are the two peaks of the sixth part, one end and one end, just a whole chapter. It was all the products of me who had a complete idea before writing the first part, or even before the first part, and consciously burying outlines. One was something that was determined when setting the worldview. When I typed the word Crimson in the first chapter, everything was already in my mind. The other was to start writing about Silver City and gradually take shape when writing about the curse. Then there was a Harvest Church and Emlyn White. The corresponding clues were actually given a lot, which were relatively obscure, but it was not without hints.

There have been many secrets around these two peaks. In general, there is no problem with this area, which has made the overall worldview begin to take shape and has a relatively complete framework. In this way, I can smoothly unfold some old, external gods' intelligence and clues in the seventh part, and write down the affairs of the ancient Sun God family. The family, uh, using this to describe it seems to be very ignited.

Speaking of fireworks, we have to mention the issues of war and "justice" that many friends criticized.

When I was writing martial arts, I really summarized a set of writing methodology that suited me. However, many things were still relatively vague at that time. It was not until I started writing secrets and had corresponding experiments and gains that I became clearer and summarized more things.

For me, the most important thing about writing at the beginning is a very simple word:

Express.

What I want to express and what I convey is something I need to consider before starting writing, and then make choices about the plot around it, so as not to shift the focus.

Simply put, it can be described as a word that everyone hates: the central idea.

So what do I want to express in the sixth part? First, it is the impact brought by the two peaks. Second, in front of the gods, human beings are insignificant and helpless. Third, even if they are as small as moths, they must chase light.

The second point is actually not the only part six. This is something that must be seen in the world of the Croatian and Croatians. The fear of the unknown is the smallness before the "unknown", and this is also in line with the straw in the second part.

So, before writing the sixth part or even the fifth part, I was considering what plot to support what I wanted to express so that it could be accurately conveyed into everyone's hearts.

If I start writing about war, the focus will become various extraordinary abilities and battleships, machine guns, cannons. This will be relatively fresh, and you can also bring sacrifices, blood, the cruelty of war and other deeper things, but this is a certain deviation from the focus I want to express, because since I have stepped onto the battlefield, I will clearly recognize the meaning of death and survival, the reason, the taste of being confused without life and being confused by death.

Similarly, what has always been described is extraordinary war. In the sixth part, the decryption of the angel king and the gods began. If it was launched into a comprehensive war, not only would the style of the human war be conflicted, but it would also be more inconsistent.

Taking this into consideration, I said a long time ago that I would not write about war in detail, but focused on ordinary people in the war. Moreover, I deliberately blurred their faces and did not give them names. This is the second reverse operation of the faceless man, to reflect a large number of people's feelings, and to reduce the corresponding pain and sorrow, focusing on confusion, numbness, and confusion.

The only person with a name and surname is the landlord and his wife. That part deepens the pain and discomfort. Otherwise, Audrey would make a decision and kneel down to kiss her parents without enough strength.

Originally, there was no need for Audrey to do charity so many times. In order to strengthen the numbness, dullness, pain and confusion, I deliberately wrote it a few more times, which led to the changes in Audrey's inner changes in those plots, which were a bit monotonous and repetitive. However, she had two conversations with Klein afterwards, two confusions for different reasons, behaviors for making decisions, and manipulation after making decisions. I don't think there is any problem, no delay or burden, and there is my own contradiction and corresponding plot tension.

In general, I gathered Audrey's inner strength, her own growth, and the human beings she wanted to express, and made a line of treatment, which led to sometimes I wrote about her, but the real focus was not her, which made her a bit like a tool person at some point. This is probably the responsibility and sacrifice that an "audience" must have. I sighed, but thanked everyone for their tolerance and support. At that time, the pursuit was basically not much, and it was always around 53,000, which made me write calmly and calmly, and could lay a little bit of what I wanted to express.

Finally, the Beckland battlefield was developed from Audrey's perspective, one was to take over the changes in the gods' war, and the other was to put away the things that were laid out before.

When the audience walked through the streets and alleys, walked home, and saw that from the citizens, from the nobles, and from the demigods, they were all confused and numb, and they sighed that the words "I don't know who the reason for death and why life were alive, I felt that the corresponding plot was not in vain, and I felt that the plot floating towards the sky returned to the earth, which was very heavy, very stable, and very solid. This was great.

In addition, this happened to form three progressions of emotions at the end. The confusion, insignificance, insignificance, sorrow, and sorrow reflected in the Bernadian line. It was firm, no matter how dark and hopeless it was, it had to move forward. Then, when Silver City had been exploring hard in the dark for thousands of years, finally opened the door, saw the light, and saw something called hope.

For this reason, I pushed the Great Emperor Line, which I originally wanted to write in the sixth part, to the seventh part.

Well, these three emotional progressions can also be arranged in the opposite direction, which is very desperate and does not meet the title of "Light Chaser".

Regarding the death of the chief, because Lovia's death was before me, I did not express my sadness repeatedly and did more sensationalism. I just described his state very restrainedly, so that the corresponding pain could be hidden deeper, and let the light be the leader to express emotions with regrets, relief and hope.

One problem in the sixth part is that there are too many battles that need to be done, some are dense, and there is not enough "relaxation" links in the middle, which can easily make you tired. This is a problem that needs to be paid attention to in the seventh part.

Also, if you don’t write about war, you will lose the opportunity to unfold the whole world and make the stage of the plot appear small. However, this is also what I expected, because if the twenty-two ways, different countries, stories of many gods and angels are unfolded one by one, and Xiao Ke will run all over the map, it will be very cumbersome and bloated. Every place can only be skipped and stopped just by tasting it. It would be better not to write it.

So, I had clearly set the situation in Intis, Ferneport and other places in detail, but I didn't go out. This point was something that a classmate of 1.5 meters can testify. During the secret preparation period, she asked me how to write the outline. I directly copied a small part of Intis's settings for her to show it. It should be a more detailed version.

This is what I have determined before the book of the mystery. Try not to go to the map and work hard to write down the atmosphere of a country, bring out some characteristics of other countries' other ways, and fully outline the world view and world framework. Even if the mystery book is fulfilled, you should be able to feel that I am writing it.

As for the development of other ways in other countries, I hoped to solve it by taking advantage of the tricks. That is, to write the second part, or even the third part, under this worldview, Intis, Fenerport, various secret organizations, the Western Continent, etc., and to unfold and perfect the entire mysterious world from another perspective and another entry point.

I have even thought of some stories that may be written or given up, such as a member of an old clan who secretly sneaked in to destroy it, but ended up in an accident, lost his memory, picked up by the church of God of Knowledge and Wisdom, "indulged" in textbooks and exams every day, such as starting out as a hunter, receiving guidance from Santa Niz, licking Anderson with tears, fighting wits and courage with the Red Angel, etc.

This may become the main line of the second part. As for the third part, it is probably the story of the Western Continent and the mystery of the Eastern Wind. I saw you all have a smile on the "Yuanshi" route before. Of course, I just left an interface for the power system setting of the Western Continent, but I haven't refined it yet.

Well, I may not be able to write the third part. I can only promise the second part, and I don’t have to write the next one. I plan to change the subject matter, change the mood, and write something else. After all, I have accumulated a lot of inspiration and have two formed interesting ideas, one is wasteland and the other is fairy tale. It is still difficult to decide which one to write. After the mystery is finished, I will consider it in detail and collect materials.

After chatting here, let’s talk about the topic, the old rules, take a break for three and a half days, and resume updates at 7 pm on Sunday (actually, it’s four days, but I have written more than three thousand words in the summary, which is also a chapter)

As for the name of the seventh part, I saw that many friends guessed it, it was "The Hanging Man".

Finally, since you have issued a single chapter, how can you not ask for monthly tickets? At 7 pm on Sunday, the first chapter of the seventh "The Hanging Man" was uploaded on time, and the monthly tickets were requested!

In addition, all subscriptions are over 98,600. Please subscribe to the original version. I hope you can exceed 100,000 soon~
Chapter completed!