I haven't gone out this month, and I have been staying at home honestly and typing carefully, but I still encountered some things.

Last week, my eyes were a little inflamed, causing the vitreous turbidity to become a little more serious. After a little drops were dripping, I quickly checked out for a doctor. Before I left, my wife, an ophthalmology graduate, said that this was nothing. As long as it was not a fundus lesions, there was nothing. I asked what fundus lesions contained. She said macula, and then I forgot about the others.

When I arrived at the hospital, the doctor said that the vitreous body was indeed turbid, but the black shadow was small, it could move, and there was no flash. There was no big problem, but your macula seemed not very good. I was scared at that time and immediately made an appointment for a follow-up examination. I was in a low mood at home for two days. Fortunately, I finally said that there was no problem after the examination, and remember to do regular examinations in the future.

Everyone, if you have high myopia, please remember to take care of your eyes and use them scientifically!

Well, this month finally pushed the plot to the beginning of the war, connecting many of the reserved foreshadowings, laying the foundation for a tense atmosphere, and this movie should be completed in November, at the latest in early December.

Because considering that war is a continuous process, it is impossible to reach its climax like the Beckland smog. There are many foreshadowings and many tragedies, so I did not use the writing style at the end of the second part, but just slightly exaggerated the atmosphere of war and the reactions of different people.

This also leads to the fact that the chapter "self-question" does not have enough pre-existing emotional preparation. Of course, I did not write that chapter as a climax. For me, it is just a more important point in the plot structure. It is not about sensationalism or inner shouting, but about changing the state of Klein's lack of big purpose and strong demands from the beginning of the fifth part, and intensively ignite the tension of the subsequent plot.

So, what I need is clarity, a certain amount of explosive power, nail it into the plot like a nail, and tighten the subsequent story.

Considering this purpose, I finally adopted the repeated questioning method that I originally did not intend to use in this book, because if I use side, or plain, implicit methods to express it, the entire point that needs to be highlighted will not be clear, which will lead to the emotions conveyed in the subsequent story. If it weren't for the existence of the previous chapter, the emotions and touches hidden in the dialogue with Bernardy would not be presented so lightly. As for the way of talking to other objects, I first wrote a version, which was very embarrassing, many times more awkward than asking myself.

Of course, because it is a temporary measure and temporary change in writing, there are many remarks in that part. At that time, it was because I wanted to slowly unfold my emotions and then tighten them. Well, now it seems that too much is too much. Sometimes, I have to repeatedly remind myself to the word "restraint".

Regarding war, because of the entire style of the previous style, Xiao Ke is unlikely to go directly to the battlefield, and I am not good at describing specific wars head-on. At most, two or three battles are highlighted to achieve the purpose of outlining the situation. Next, Xiao Ke and Bernardi's efforts and the plot of the Giant King Court will be staggered, hoping to write them well.

The above is the summary of October. The first chapter of today has been updated. Please guarantee the monthly vote! Invest me and I vote me!

Also, October is the first monthly ticket. Thank you everyone, this should be the first three consecutive days. Well, the update will be added until the middle and late. At the critical moment of the plot, please give me a monthly ticket~
Chapter completed!